NEW MANUAL AND DIGITAL EXPLORATION IN SURFACE TEXTILE DESIGN: A SUPERUSER APPROCH IN DESIGN EDUCATION

Wenche Lyche, Pernille Øverjordet
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Abstract

Manual exploration versus digital exploration is now adays part of students learning processes and there is a growing need in society to understand the relationships between manually created surfaces and creativity based on new technology. Still manual exploration is necessary to understand and cherish he unexpected that can be understood, transformed, discovered and create new value, for product design students and the product. This paper will take into consideration several aspects of learning. One approach is instructors showing creative ways to find new surfaces through exploratory surface design methods exposing students to open result design processes. Another approach is students working more independently as superusers to explore their own surfaces. A third approach is evaluation and collaboration between instructor and student in digital exploration introducing the student to digital textile printing, textile science, sustainability and at the same time introducing students to academic writing. The digital textile printing was related to exploring surface design and then transformed into patterns for digital print. In this qualitative study it is documented what the hand can create, intuitively with textiles, provoking and understanding the aesthetics of surface textile design by using force of nature such as low minus degrees, flames, light exposure combined with digital textile printing. Core values in this paper will be based on natural fibers in printing on wool and silk to enhance quality and ensure a stronger connection between product and consumer. The discussion evolves around the value of emotional design in new technology and Donald Normans concepts in ‘Design for everyday things’. The consumers ability to connect to such aesthetic design is explored in relation to social sustainability.
平面纺织品设计中新的手工和数字探索:设计教育中的超级用户方法
手工探索与数字探索现在是学生学习过程的一部分,社会上越来越需要了解手工创造的表面与基于新技术的创造力之间的关系。对于产品设计专业的学生和产品来说,理解和珍惜那些可以被理解、转化、发现和创造新的价值的意外是必要的。本文将考虑学习的几个方面。一种方法是教师通过探索性表面设计方法展示创造性的方法来发现新的表面,使学生接触到开放的结果设计过程。另一种方法是学生作为超级用户更独立地探索自己的表面。第三种方法是教师和学生在数字探索方面的评估和合作,向学生介绍数字纺织印刷,纺织科学,可持续性,同时向学生介绍学术写作。纺织品数码印花涉及到对表面设计的探索,然后将其转化为图案进行数码印花。在这个定性研究中,它记录了手可以创造什么,直观地与纺织品,激发和理解表面纺织品设计的美学,通过使用自然的力量,如低零下度,火焰,光曝光与数字纺织品印花相结合。本文的核心价值将基于天然纤维在羊毛和丝绸上的印花,以提高质量,并确保产品与消费者之间更强的联系。讨论围绕新技术中情感设计的价值和Donald norman在“为日常事物设计”中的概念展开。消费者连接这种美学设计的能力与社会可持续性的关系进行了探讨。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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