Anthony and Cleopatra : theatre reviews

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Abstract

In his Director's Note, Marthinus Basson describes this production of Antony and Cleopatra in disarmingly modest terms: he tells us he "decided not to go with a 'high concept' but rather to focus on and explore the spaces between the fault-lines of the epic sweep and drama suggested by Shakespeare's text" (Basson n.p.). In doing so he "tried to give some weight to the little man, the loyal servant and follower, the slimy bureaucrat and the visionary". And yet we would be foolish to mistake Basson's considered approach here for interpretative docility.
安东尼和克利奥帕特拉:戏剧评论
在他的导演笔记中,马西努斯·巴松用谦逊的语言描述了这部《安东尼与克利奥帕特拉》:他告诉我们,他“决定不采用‘高概念’,而是专注于探索莎士比亚文本所暗示的史诗和戏剧的断层线之间的空间”(巴松n.p.p)。在这样做的过程中,他“试图给小人物、忠诚的仆人和追随者、黏糊糊的官僚和幻想家赋予一些分量”。然而,如果我们把巴松深思熟虑的方法误认为是解释性的顺从,那就太愚蠢了。
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