Actor and identity. Actor’s psychological sense of identity

Jolanta Kociuba
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Abstract

Abstract The article adopts an original approach to studying the phenomenon of the concept of “self” whose creator is the Canadian psychologist Rene L'Ecuyer. This is an idiographic method which generates data of both a quantitative and qualitative nature. The empirical studies presented in this article have been done in the milieu of professional actors and among students of theatrical schools. The results of the studies show differences in self concept in both groups. The differences between the group of students and the group of actors are of a qualitative nature and concern the number of utterances in the categories of structures, substructures and self-concept and the degree of importance of certain dimensions. In the group of actors, a difference in the hierarchy of importance of the dimension of self-concept is established. Two kinds of differences verify the hypothesis on the development of self-concept. The first is the phase of development, and the second – the level of development of self concept which the authoress suggests calling the level of the sense of identity.
演员和身份。演员的心理认同感
摘要本文对加拿大心理学家勒内·L'Ecuyer提出的“自我”概念现象进行了独到的研究。这是一种生成定量和定性数据的具体方法。本文的实证研究是在专业演员的环境和戏剧学校的学生中进行的。研究结果显示,两组人在自我概念上存在差异。学生群体与演员群体之间的差异具有质的性质,涉及到结构、子结构和自我概念类别中的话语数量以及某些维度的重要程度。在行为者群体中,自我概念维度的重要性层次存在差异。两种差异验证了自我概念发展的假说。第一个阶段是发展阶段,第二个阶段是自我概念的发展阶段,作者将其称为认同感的发展阶段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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