Sir Watkin Williams Wynn and the Rutgers Handel Collection

M. Picker
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Abstract

A chance visit in January, 1991, to the National Museum of Wales in Cardiff drew my attention to a portrait in their collection of the young Sir Watkin Williams Wynn( 1749-89) painted on a visit he made to Italy in 1768. (Pl. 1) I had previously encountered his name as that of an enthusiast and collector of art and music, particularly music by Handel, some of which had found its way into Special Collections and Archives of the Rutgers University Libraries in New Brunswick, New Jersey. That visit has led me to the present attempt to explore Sir Watkins relationship to art and music, and especially to Handel and the Handel collection at Rutgers. In the December 1965 issue of this Journal I described a collection of prints and manuscripts of music by George Frideric Handel housed in Special Collections and Archives of the Alexander Library of Rutgers in New Brunswick. It was explained there that part of the collection was acquired by Rutgers around 1950 as a result of a purchase by the Dana Library of Rutgers in Newark that had been recommended by Professor Alfred Mann, a distinguished Handel scholar, now emeritus. Some time after this purchase, which included eleven manuscript volumes described in my article cited above, the materials were transferred to Special Collections in New Brunswick. At that time the provenance of the Handel manuscripts was largely a mystery, although it is clear that they were once part of a single collection, being uniformly bound in leather and numbered consecutively from I to IX, lacking vol. IV but including an "Appendix Vol. I" and two unnumbered volumes. All the numbered volumes are devoted to Anthems, while the unnumbered ones contain An Ode for Queen Anne's Birthday and Italian Duettos and Trios? Since the publication of my article, the collection, and particularly the manuscripts, have been cited in the relevant literature, including studies by Larsen, Dean, and Beeks, the Handel thematic catalogue by Baselt, and the edition of Anthems in the Hallische HandelAusgabe.
沃特金·威廉姆斯·韦恩爵士和罗格斯·汉德尔收藏
1991年1月,一次偶然的机会,我参观了位于卡迪夫的威尔士国家博物馆,在他们的收藏中,有一幅年轻的沃特金·威廉姆斯·韦恩爵士(1749-89)在1768年访问意大利时所画的肖像画引起了我的注意。我以前听说过他的名字,他是一个艺术和音乐爱好者和收藏家,尤其是亨德尔的音乐,其中一些作品被收录在新泽西州新不伦瑞克市罗格斯大学图书馆的特别收藏和档案中。那次访问使我现在尝试探索沃特金斯爵士与艺术和音乐的关系,特别是与亨德尔和罗格斯大学亨德尔收藏的关系。在1965年12月的这期杂志上,我描述了新不伦瑞克罗格斯大学亚历山大图书馆特别收藏和档案馆收藏的乔治·弗里德里克·亨德尔的音乐版画和手稿。那里解释说,罗格斯大学在1950年左右获得了部分藏品,这是纽瓦克罗格斯大学达纳图书馆在阿尔弗雷德·曼恩教授的推荐下购买的,曼恩教授是一位杰出的亨德尔学者,现已退休。在这次购买之后的一段时间,包括我上面引用的文章中描述的11卷手稿,这些材料被转移到新不伦瑞克的特别收藏处。当时,亨德尔手稿的来源在很大程度上是一个谜,尽管很明显它们曾经是一个集合的一部分,用皮革统一装订,从1到9连续编号,没有第四卷,但包括“附录卷1”和两卷未编号的卷。所有有编号的卷都是颂歌,而没有编号的卷包括《安妮女王的生日颂歌》和《意大利二重奏和三重奏》。自从我的文章发表以来,这些文集,特别是手稿,已经在相关文献中被引用,包括拉森、迪恩和比克斯的研究,巴塞尔特的亨德尔主题目录,以及《Hallische HandelAusgabe》中的《圣歌》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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