{"title":"Jazz for Non-Jazzers","authors":"C. West","doi":"10.1093/OSO/9780190462574.003.0003","DOIUrl":null,"url":null,"abstract":"“It just goes like this, ‘doo ba doo bop’. You dig?” Historically, this was the way jazz was learned, informally, and for many early aspiring jazz musicians—they dug. Others need a little more guidance. This chapter is based on a presentation its author often delivers to introduce teachers to teaching jazz. After this presentation, members from the audience often tell the author: “This is not all that different from the musicianship skills I already have.” This chapter provides a basic overview of (a) styles such as swing, Latin, bop, and blues; (b) rhythmic solfège; (c) articulation; (d) ornamentation; (e) improvisation; (f) intricacies of the rhythm section; and (g) rehearsal and stage setup of the beginning jazz band. The remaining chapters in this book presume some basic and foundational knowledge about jazz as a point of departure, so this chapter serves as that starting point.","PeriodicalId":402451,"journal":{"name":"Teaching School Jazz","volume":"34 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Teaching School Jazz","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780190462574.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
“It just goes like this, ‘doo ba doo bop’. You dig?” Historically, this was the way jazz was learned, informally, and for many early aspiring jazz musicians—they dug. Others need a little more guidance. This chapter is based on a presentation its author often delivers to introduce teachers to teaching jazz. After this presentation, members from the audience often tell the author: “This is not all that different from the musicianship skills I already have.” This chapter provides a basic overview of (a) styles such as swing, Latin, bop, and blues; (b) rhythmic solfège; (c) articulation; (d) ornamentation; (e) improvisation; (f) intricacies of the rhythm section; and (g) rehearsal and stage setup of the beginning jazz band. The remaining chapters in this book presume some basic and foundational knowledge about jazz as a point of departure, so this chapter serves as that starting point.
“就像这样,‘doo ba doo bop’。你挖?”从历史上看,这是学习爵士乐的方式,非正式的,对许多早期有抱负的爵士音乐家来说,他们挖掘。其他人则需要更多的指导。这一章是基于它的作者经常提供介绍教师教学爵士乐的演讲。演讲结束后,听众经常告诉作者:“这与我已经拥有的音乐技能并没有什么不同。”这一章提供了一个基本的概述(a)风格,如摇摆,拉丁,bop和布鲁斯;(b)节奏性演唱;(c)清晰度;(d)装饰;(e)即兴创作;(f)节奏部分的复杂性;(g)开场爵士乐队的排练和舞台布置。在本书的其余章节假设一些基本的和基础的知识,爵士乐作为一个出发点,所以本章作为起点。