Se souvenir du féminicide de l’École Polytechnique (1989). Traverser l’espace, recomposer le passé

Louise Vigneault
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Abstract

This article discusses how certain commemorative artistic creations have allowed the Montreal and Quebec communities to cope with the painful memory of the 1989 anti-feminist mass shooting at École Polytechnique. While feminist interpretations of the tragedy called on the past to reveal its causes, and official readings instead tried to keep the reflections in the present, to dissolve the tensions between the radical positions, certain artistic projects have made it possible to create a third space and to reconcile the past and the present, history and remembrance. Rose-Marie Goulet’s Nef pour quatorze reines (1999), as well as the performative event Une marche, deux parcours : In remembrance of the women of Polytechnique (2019), commemorating the 30th anniversary of the tragedy, are examples testifying to this gesture of remembrance.
在ecole Polytechnique(1989)纪念杀害女性。穿越空间,重构过去
本文讨论了某些纪念艺术创作如何让蒙特利尔和魁北克社区应对1989年École理工学院反女权主义大规模枪击事件的痛苦记忆。虽然女性主义对悲剧的解释呼吁过去揭示其原因,而官方解读则试图将反思留在现在,以化解激进立场之间的紧张关系,但某些艺术项目使创造第三空间成为可能,并调和过去与现在,历史与记忆。Rose-Marie Goulet的Nef pour quatorze reines(1999),以及纪念悲剧发生30周年的表演活动“一次游行,两次游行:纪念巴黎理工大学的女性”(2019),都是证明这种纪念姿态的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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