Ekspresi Kasih dalam Karya Tari Dadalar

Yezyuruni Forinti, E. Supriyanto
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引用次数: 1

Abstract

Dadalar dance is motivated by an interest in the application of love in social life between humans. Every human being has their way of giving and receiving love which ultimately shapes the character of the human being. Environmental factors, father, and the Bible are three factors that encourage the creator to create this work. But the main factor is the father figure, a person who teaches many things, especially the knowledge of God and love. Dadalar dance works using the Partnering method, where this work is presented in a duet with two dancers. There is cooperation between dancers, so a sense of mutual help, mutual trust, support, and balance is needed. This work is a development of the traditional dances of North Maluku, namely Sarah Dabi dabi and Legu salai. The creation process includes the preparation stage and the cultivation stage. The preparation stage consists of observation and determination of the material. The cultivation stage interprets the results of exploration, improvisation, imagination, and unification.Dadalar is presented in a duet of three parts, interpreted in sense, atmosphere, space, and time. This presentation emphasizes the importance of intensity and gives the audience space and time to enjoy and sense what is presented. 
达达拉舞蹈中爱的表达
达达拉尔舞蹈的动机是对人类社会生活中爱的应用感兴趣。每个人都有自己给予和接受爱的方式,这最终塑造了一个人的性格。环境因素、天父和圣经是鼓励创造者创造这个作品的三个因素。但最主要的因素是父亲的形象,一个人教很多东西,特别是上帝的知识和爱。达达拉尔舞蹈采用的是搭档法,这种舞蹈是由两个舞者组成的二人转。舞者之间需要合作,因此需要相互帮助、相互信任、相互支持和平衡。这个作品是北马鲁古传统舞蹈的发展,即Sarah Dabi Dabi和Legu salai。创作过程包括准备阶段和培育阶段。制备阶段包括对材料的观察和测定。培养阶段诠释了探索、即兴、想象、统一的结果。达达拉以三部分的二重唱形式呈现,分别以感觉、气氛、空间和时间来诠释。这个演示强调了强度的重要性,并给观众空间和时间来享受和感受所呈现的内容。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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