Trialogical International Law ─ Introduction to the Series

Anne Peters
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引用次数: 1

Abstract

The introduction to the Max Planck Trialogues on the Law of Peace and War explains the method which informs the novel scholarly format. Each volume deals with one current problem of the ius contra bellum, ius in bello and ius post bellum and gives a floor to three authors whose geographical, professional, theoretical, and methodological backgrounds and outlooks differ greatly. The format thus seeks to accommodate the pluralism and value changes in the current era of a shifting world order and rising nationalism and populism. The aim is to bring to light the cultural, professional, and political pluralism which characterises international legal scholarship, and to exploit this pluralism as a heuristic device. The format manifests and espouses multiperspectivism, building on the insight that legal concepts depend on the (diverging) perspectives of those who create, apply, interpret, and criticise the law. International law in particular is a multi-perspectival phenomenon. Each volume exposes that and how political factors and intellectual styles influence the scholarly approaches and legal answers. The trialogical setting encourages the situated participants to decenter their perspectives. By explicitly focussing on the authors’ divergence and disagreement, a richer understanding of the legal issue at hand is achieved, and the legal challenges and possible ways ahead are identified. This praise of pluralism does not contradict or overtake the scholarly ideal of intersubjective comprehensibility. Scholarship should aim for universal intersubjective comprehensibility, allowing scholars with diverging geographical, educational, or theoretical background to understand an argument or a research finding ─ regardless of sex, nationality or religion. It is submitted that the aspiration to a discursive, procedural, and bottom-up universalism in international legal scholarship is not logically or intrinsically a ‘false’ universalism which merely camouflages particular interests. Utilising perspectivism and situationality, the Trialogues might modestly contribute to the attempt to build a bottom-up legal universalism without plunging into legal absolutism. Starting from the pragmatic assumption that people can make moral and learning experiences which force them to step out of the moral and epistemic framework they are used to, a Trialogue is one way to tease this out.
国际法三部曲─丛书导论
《马克斯·普朗克关于和平与战争法的审判》的引言解释了这种新学术形式的方法。每一卷都处理一个当前的问题,即战时法、战时法和战后法,并给三位作者一个机会,他们的地理、专业、理论和方法背景和观点大不相同。因此,在当今世界秩序变化和民族主义和民粹主义抬头的时代,这种形式寻求适应多元化和价值变化。其目的是揭示具有国际法律学术特征的文化、专业和政治多元性,并利用这种多元性作为一种启发式手段。这种形式体现并支持多视角主义,建立在法律概念取决于那些创造、应用、解释和批评法律的人(不同的)视角的基础上。特别是国际法是一个多视角的现象。每一卷都揭示了这一点,以及政治因素和知识风格如何影响学术方法和法律答案。三位一体的设置鼓励参与者分散他们的观点。通过明确地关注作者的分歧和分歧,对手头的法律问题有了更丰富的理解,并确定了法律挑战和可能的前进道路。这种对多元主义的赞扬并不违背或超越主体间可理解性的学术理想。学术研究应致力于实现普遍的主体间可理解性,使地理、教育或理论背景各异的学者能够理解一个论点或一项研究发现──不分性别、国籍或宗教。本文认为,在国际法律学术中,对话语性、程序性和自下而上的普遍主义的渴望,在逻辑上或本质上都不是一种仅仅掩盖特定利益的“虚假”普遍主义。利用透视主义和情境性,“审判对话”可能有助于尝试建立自下而上的法律普遍主义,而不会陷入法律专制主义。从实用主义假设出发,人们可以做出道德和学习经验,迫使他们走出他们习惯的道德和认知框架,三角对话是梳理这一点的一种方式。
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