Alteridade e mistério em contos de Milton Hatoum

Marcos Frederico Kruger Aleixo, Elival de Souza Morais
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Abstract

: In this article we present the analysis of four short stories by Milton Hatoum, included in the book A Cidade ilhada, published in 2009. In order of analysis: “Dois poetas da província”, “Encontros na península”, “Bárbara no inverno” e “A Casa ilhada”. Our purpose is to highlight constant topics of Hatounian fiction, as the following: memory, foundation of novel narratives; alterity, a typical feature of foreigners present in their texts; mysteries, a technique conducive to the reader’s participation in the construction of plots, as well as the Machadian influence on Hatoum, detectable in the second related story, seen through the literary dispute between the “wizard” of Cosme Velho and the Portuguese writer Eça de Queirós; and also, exposition of metaphors and symbols dispersed in these tales, as well as a dialogue with Greek mythology, and the author’s reflection on the years of the military dictatorship. Our research has a bibliographic character in which we seek to enrich it under the theoretical perspectives of Nélson Werneck Sodré, Victor Leandro da Silva, Eduardo Galeano.
弥尔顿·哈托姆故事中的他者与神秘
在这篇文章中,我们对米尔顿·哈图姆的四篇短篇小说进行了分析,这些小说收录在2009年出版的《伊哈达之旅》一书中。按分析顺序:“Dois poetas da província”,“Encontros na península”,“Bárbara no inverno”和“A Casa ilhada”。我们的目的是突出哈屯小说的不变主题,如:记忆,小说叙事的基础;另类,是外国人文本中的典型特征;奥秘,一种有利于读者参与情节构建的技巧,以及马查迪亚对哈图姆的影响,在第二个相关故事中可以看出,通过科斯梅·韦柳的“巫师”和葡萄牙作家埃斯帕拉·德Queirós之间的文学纠纷;以及对这些故事中分散的隐喻和象征的阐述,以及与希腊神话的对话,以及作者对军事独裁年代的反思。我们的研究具有参考文献的特点,我们试图在纳姆萨尔森·维尔内克·索德雷尔、维克多·莱安德罗·达席尔瓦、爱德华多·加莱亚诺的理论观点下丰富它。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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