An analysis of the visual portrayal of women in junior secondary Malawian school history textbooks

Annie F. Chiponda, J. Wassermann
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引用次数: 11

Abstract

Visual images are important in textbooks because they are a vital part of the symbiotic relationship with the written text. Most importantly, visual images are essential in history textbooks because they render human experiences less abstract. This article analyses the visual images of women contained in three junior secondary school history textbooks used in Malawi. The purpose being to explore how women are portrayed visually and why they are portrayed the way they are. The article is based on empirical research and employed feminist theory which is premised on the oppression and subordination of women in society. The visual images were analysed quantitatively through visual content analysis and qualitatively using visual semiotic analysis. We argue in this article that women are generally oppressed, under-represented and subordinated in their portrayal in the visual images in the textbooks analysed. As textbooks are authoritative in nature this kind of portrayal can send a certain message about women as historical characters to textbook users. We furthermore argue that our research findings in an African context speak to similar findings in other parts of the world and can for the most part be attributed to similar reasons the powerful influences of patriarchy on both history and history textbooks.
马拉维初中历史教科书中女性形象的分析
视觉图像在教科书中很重要,因为它们是与书面文本共生关系的重要组成部分。最重要的是,视觉图像在历史教科书中是必不可少的,因为它们使人类的经历不那么抽象。本文分析了马拉维三本初中历史教科书中包含的女性视觉形象。目的是探索女性是如何在视觉上被描绘出来的,以及为什么她们被描绘成这样。本文以实证研究为基础,运用了以女性在社会中的压迫和从属地位为前提的女性主义理论。通过视觉内容分析对视觉图像进行定量分析,通过视觉符号分析对视觉图像进行定性分析。我们在本文中认为,在分析的教科书中的视觉形象中,妇女通常是受压迫的,代表性不足的和从属的。由于教科书具有权威性,这种描绘可以向教科书使用者传递关于女性作为历史人物的某种信息。我们进一步认为,我们在非洲背景下的研究结果与世界其他地区的研究结果类似,并且在很大程度上可以归因于父权制对历史和历史教科书的强大影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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