Bemoaning of Love: An Aspect of Ga Women’s Discourse on Love in Adaawe Song- Texts

B. Kubi
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Abstract

Love, as a subject, has received a lot of attention in literature, particularly poetry. This is probably because poetry is traditionally seen as the creative exploration and expression of an individual’s emotion and passion. A genre of Ga oral poetry that has love as its primary subject is the adaawe songs which are sung by Ga maidens. This paper examines an aspect of Ga women’s discourse on love in the songs. Particularly, it examines how love is bemoaned. This was done based on the premise that, as a creative exploration and expression of individuals’ emotions and passions, adaawe songs contribute a unique commentary on the subject of love. Songs which were recorded and transcribed, as well as songs collected from Hamond’s (1970) Obɔade Lalai were analysed, paying attention to content and style. The analysis revealed that love is usually bemoaned when there is lack of continuous interest in a persona by the other party in a love relationship, or when there is a betrayal of love.
爱的悲叹:阿达维歌文本中迦族女性爱情话语的一个侧面
爱情,作为一个主题,在文学,尤其是诗歌中受到了很多关注。这可能是因为诗歌在传统上被视为对个人情感和激情的创造性探索和表达。一种以爱情为主要主题的迦族口述诗歌是迦族少女唱的阿达维歌。本文从一个侧面考察了彝族妇女在歌曲中的爱情话语。特别是,它探讨了爱是如何被哀叹的。这样做的前提是,作为对个人情感和激情的创造性探索和表达,adawe歌曲对爱情主题做出了独特的评论。本文分析了哈蒙德(1970)《欢乐颂》中收录的歌曲,并着重分析了歌曲的内容和风格。分析显示,当爱情关系中的另一方对一个角色缺乏持续的兴趣时,或者当爱情被背叛时,爱情通常会被哀叹。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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