{"title":"Two Funerary Statues at Cyrene","authors":"Saleh Wanis","doi":"10.1017/S0263718900008773","DOIUrl":null,"url":null,"abstract":"The female funerary bust, as a type of grave monument, consists of a bust or a demi-statue including hips, waist, shoulders and head. The type is unparalleled elsewhere in the history of ancient sculpture. 1. This unique unpublished find (pl. 1) of the Flavian period, which is made of grained white marble and measures 50 cm. high by 34 cm. wide, was found at El-Beggara in the S. W. Cemetery at Cyrene by Mr. Ali Bu Nuw-wara on 4 November 1971. The statue portrays a draped woman in half-length bust form. The bust terminates a short way below the waist and is worked flat at the bottom. The figure is in good condition; only three fingers of the left hand are missing and some drapery ridges are chipped or broken. The figure holds her right arm, bent at the elbow, horizontally across her body; the left arm is bent up to the side of the face and holds part of her garment across the face as a veil. The figure is completely draped in a himation which both enfolds the body and covers the head. The left hand, with thumb, ring and little fingers missing, stretches a part of the himation across the eyes, nose and mouth. These features are indicated under the transparent folds of the mantle. Here the sculptor has precisely demonstrated the delicacy of the facial features through the veil, an effect produced by his controlled chisel work. The figure's forehead is graced with tightly curled hair which is massed over the brow like a short African haircut. The hair style is typical of the Flavian period and is not later than the time of Hadrian. The folds of the himation in front are rendered as sharp ridges crossing the body; the back is also carved with folds of the same type but worked in a more simplified manner. The figure wears a snake bracelet on her left arm; this type of armlet appears in many of these Cyrenean funerary busts and may have iconographic or symbolic significance.","PeriodicalId":165470,"journal":{"name":"Annual report - Society for Libyan Studies","volume":"238 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Annual report - Society for Libyan Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0263718900008773","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
The female funerary bust, as a type of grave monument, consists of a bust or a demi-statue including hips, waist, shoulders and head. The type is unparalleled elsewhere in the history of ancient sculpture. 1. This unique unpublished find (pl. 1) of the Flavian period, which is made of grained white marble and measures 50 cm. high by 34 cm. wide, was found at El-Beggara in the S. W. Cemetery at Cyrene by Mr. Ali Bu Nuw-wara on 4 November 1971. The statue portrays a draped woman in half-length bust form. The bust terminates a short way below the waist and is worked flat at the bottom. The figure is in good condition; only three fingers of the left hand are missing and some drapery ridges are chipped or broken. The figure holds her right arm, bent at the elbow, horizontally across her body; the left arm is bent up to the side of the face and holds part of her garment across the face as a veil. The figure is completely draped in a himation which both enfolds the body and covers the head. The left hand, with thumb, ring and little fingers missing, stretches a part of the himation across the eyes, nose and mouth. These features are indicated under the transparent folds of the mantle. Here the sculptor has precisely demonstrated the delicacy of the facial features through the veil, an effect produced by his controlled chisel work. The figure's forehead is graced with tightly curled hair which is massed over the brow like a short African haircut. The hair style is typical of the Flavian period and is not later than the time of Hadrian. The folds of the himation in front are rendered as sharp ridges crossing the body; the back is also carved with folds of the same type but worked in a more simplified manner. The figure wears a snake bracelet on her left arm; this type of armlet appears in many of these Cyrenean funerary busts and may have iconographic or symbolic significance.
女性陪葬胸像是由半身像或半身像组成的,包括臀部、腰部、肩膀和头部。这种类型在古代雕刻史上是无与伦比的。1. 这个独特的未发表的发现(pl. 1)的弗拉维时期,它是由纹理白色大理石和测量50厘米。高34厘米。Ali Bu Nuw-wara先生于1971年11月4日在昔兰尼s.w.墓地的El-Beggara发现了这具尸体。雕像描绘了一个披着斗篷的半身像的女人。胸围在腰部以下很短的地方结束,底部是平的。身材状况良好;只有左手的三根手指不见了,一些褶皱有缺口或断裂。她的右臂在肘部弯曲,横在身体上;左臂向上弯曲到脸的一侧,并将她的一部分衣服放在脸上作为面纱。这个人物完全被一件衣服包裹着,既包裹着身体,也覆盖着头部。左手,拇指、无名指和小指都不见了,伸展着身体的一部分,横跨眼睛、鼻子和嘴巴。这些特征表现在地幔的透明褶皱之下。在这里,雕刻家通过面纱精确地展示了面部特征的精致,这是他控制凿子工作产生的效果。这个人物的前额被紧卷的头发装饰得很漂亮,这些头发像非洲短发一样集中在眉毛上。发型是典型的弗拉维亚时期,不晚于哈德良时期。前面毛发的褶皱呈现为穿过身体的尖锐脊;背面也雕刻有相同类型的褶皱,但以更简化的方式工作。她的左臂上戴着一条蛇手镯;这种臂章出现在许多这些昔利尼人的陪葬半身像中,可能具有肖像或象征意义。