‘I’ll hurt you if you stay.’ The Fly scene-by-scene: Act Two

Emma Westwood
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Abstract

This chapter describes the scenes of Act Two of David Cronenberg's The Fly (1986). In Act Two, Seth Brundle makes the transition from amiable and reclusive scientist to predatory and misogynistic Brundlefly — a seamless character transition that creeps up on the audience through Cronenberg's screenplay and direction, and Jeff Goldblum's subtle yet defined performance. As the Brundlefly persona comes to the fore, the audience still sympathises with the overtly animalistic, egregious person he has become. They know this is not the real Seth; it is the corruption of Seth at a cellular level. Cronenberg's patented brand of body horror is coming into its own right here with Seth finally admitting to himself that something is wrong. He questions whether he is dying, and if this is what dying is like, which directly references Cronenberg's own explanation of the film: that it is an allegory for our mortality as human beings and the natural processes that lead to old age and death. It is by way of the computer that he discovers his DNA has fused with a fly — the vital ‘reveal’ — in a cinematic moment common to many great science-fiction films where pivotal information of emotional resonance is not communicated between human beings but between human and machine.
“如果你呆在这儿,我会伤害你的。《苍蝇》一场接一场:第二幕
本章描述了大卫·柯南伯格的《苍蝇》(1986)第二幕的场景。在第二幕中,赛斯·布伦德尔从和蔼可亲、隐居的科学家转变为掠夺性的、厌恶女性的布伦德利——一个无缝的角色转变,通过柯南伯格的剧本和导演,以及杰夫·戈德布鲁姆微妙而又明确的表演,逐渐渗透到观众身上。当布伦德利的角色出现时,观众仍然同情他已经变成了一个明显的兽性的、令人震惊的人。他们知道这不是真正的赛斯;这是赛斯在细胞层面上的腐败。柯南伯格的身体恐怖专利品牌在这里出现了自己的权利,赛斯终于承认自己出了问题。他质疑自己是否正在死亡,以及死亡是否就是这样,这直接引用了柯南伯格自己对这部电影的解释:这是对我们作为人类的死亡和导致衰老和死亡的自然过程的寓言。正是通过电脑,他发现自己的DNA与一只苍蝇融合在一起——这是一个至关重要的“揭示”——在许多伟大的科幻电影中常见的电影时刻,情感共鸣的关键信息不是在人与人之间交流,而是在人与机器之间交流。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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