Ecological Imagination: A Whiteheadian Exercise in Temporal Phronesis

David Wood
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Abstract

This chapter presents an account of temporal phronesis that reflects a somewhat more chastened view of human creativity, drawing on Alfred North Whitehead's original and productive understanding of natural process, time, and creativity. This new temporal phronesis would be a major contribution to habits of thought, and indeed practice, which would not merely transcend the mechanical but move to another level the creative engagement with the environment that Whitehead calls for. To be out of touch, to fail to be attuned to the complexity of time is not just a cognitive but an ethical failure, where the ethical is to be understood not deontologically or instrumentally but in relation to ethos, or dwelling. Such a phronesis would capture both the temporal complexity of the real, and of people's engagement with it, and is central to the ecological imagination. It is only by articulating and enacting such complexity that people can achieve the attunement required for an environmentally sustainable ethos. This attunement is itself a creative accomplishment of the human organism, even as it sets limits to an unbridled sense of the transformability of nature.
生态想象:一个怀特黑德练习在时间现实
这一章提出了一个关于时间现象的描述,反映了一种对人类创造力的更严格的看法,借鉴了阿尔弗雷德·诺斯·怀特黑德对自然过程、时间和创造力的原始和富有成效的理解。这种新的时间实践将是对思维习惯和实践的主要贡献,它不仅超越了机械,而且进入了怀特黑德所呼吁的与环境创造性接触的另一个层面。脱离现实,无法适应时间的复杂性不仅是认知上的失败,也是道德上的失败,道德不是从道义上或工具上理解的,而是与精神或生活有关。这样的phronesis既能捕捉到现实的时间复杂性,也能捕捉到人们与现实的接触,是生态想象的核心。只有通过表达和制定这样的复杂性,人们才能达到环境可持续发展精神所需的协调。这种调谐本身就是人类有机体的一种创造性成就,即使它限制了对自然的无限变化的认识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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