{"title":"An information-theoretic analysis of dirty paper coding for informed audio watermarking","authors":"A. Abrardo, M. Barni, Andrea Gorrieri, G. Ferrari","doi":"10.1109/ITA.2014.6804212","DOIUrl":null,"url":null,"abstract":"Upon the introduction a simplified distortion model for a Gaussian audio watermaking scenario, we derive a lower bound for the Gelfand-Pinsker capacity of the watermark channel. Then, we use the capacity bound for designing an efficient practical watermarking scheme based on dirty trellis codes. The proposed information-theoretic framework is then validated, through the use of experimentally acquired audio signals, with the use of a recently proposed frequency-domain audio watermarking. Both an “ideal” (reflection-free) Gaussian acoustic channel and a realistic multipath acoustic channel are considered.","PeriodicalId":338302,"journal":{"name":"2014 Information Theory and Applications Workshop (ITA)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"2014 Information Theory and Applications Workshop (ITA)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ITA.2014.6804212","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Upon the introduction a simplified distortion model for a Gaussian audio watermaking scenario, we derive a lower bound for the Gelfand-Pinsker capacity of the watermark channel. Then, we use the capacity bound for designing an efficient practical watermarking scheme based on dirty trellis codes. The proposed information-theoretic framework is then validated, through the use of experimentally acquired audio signals, with the use of a recently proposed frequency-domain audio watermarking. Both an “ideal” (reflection-free) Gaussian acoustic channel and a realistic multipath acoustic channel are considered.