Burning Matters

Abstract

Sati in British India came to simultaneously refer to the widow-burning rite as well as to the self-immolating widow. With growing imperialist interests in the Empire in India, the British administration detected in the sati issue a powerful opportunity to promote the image of a progressive, reform-minded, benevolent Raj. An endeavour to know how Indian women themselves portray sati in their writings is of unfailing interest. Caught between the loud crossfire of the two warring camps of pro- and anti-Sati campaigns, the Indian woman—both the subject and the object of the entire sati discourse—hardly gets a chance to claim for herself the attention of a perceptive audience. The silence of the sati victim is, of course, nearly insurmountable and only a voice, seeped through another agency, reaches us. This chapter concentrates on three such mediated voices (Cornelia Sorabji, Snehalata Sen, and Sita Devi) as presented in their fiction.