“Music as Method” in Marshallese Community-driven Research and Outreach during the COVID-19 Pandemic

Jessica A. Schwartz
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引用次数: 1

Abstract

This essay centers on the sound- and music-based methodologies of the Marshallese Educational Initiative (MEI) in terms of “community-driven research” that began in the first year of the COVID-19 pandemic when the virus was taking a massive toll on the community. The MEI is a nonprofit based in Springdale, Arkansas, which is home to the largest diasporic Marshallese community in the continental US. The first part analyzes the MEI’s COVID-19 informational materials on their website from an audiovisual perspective. Although mitigating the day-to-day consequences of COVID-19 took a necessary priority, the MEI educational programmers were determined to examine the long-term consequences of social distancing (as community disenfranchisement) in a transpacific context and the negative media representation of Marshallese regarding COVID-19 cases. Consequently, they came up with a project called “Songs of Our Atolls,” that would facilitate intergenerational communication and combat negative stereotyping. The second part explores the “Songs” project from its inception to grant application to realization through the activism of Marshallese youth musicians (MARK Harmony). Based on interviews and my remote participation, I examine the studio-based outreach to elders through which the band engaged in conversations and intergenerational learning (through songs) in ways that maintained social proximity while keeping physical distance in culturally appropriate ways. The third part offers a critical assessment of potential directions for the “Songs” project, including bidirectional learning, that dovetails with part one of the essay, whereby the band would work on collaborative public service announcements with other youths and elders, which is a method inspired by Youth to Youth in Health (an organization in the Marshall Islands). My conclusion sums up the ethical importance of paying attention to sound and music in terms of communal health and situating these transpacific forms of culturally appropriate information dissemination and intergenerational learning in the broader diaspora.
2019冠状病毒病大流行期间马绍尔社区驱动的研究和推广中的“音乐作为方法”
本文以马绍尔教育倡议(MEI)在“社区驱动研究”方面的基于声音和音乐的方法为中心,该倡议始于2019冠状病毒病大流行的第一年,当时该病毒对社区造成了巨大损失。马绍尔群岛教育协会是一个非营利组织,总部设在阿肯色州斯普林代尔市,这里是美国大陆最大的马绍尔侨民社区。第一部分从视听角度分析了机电工程部网站的新冠肺炎信息资料。虽然减轻COVID-19的日常后果是必要的优先事项,但MEI教育计划的计划人员决心在跨太平洋背景下研究社交距离(作为社区剥夺公民权)的长期后果,以及媒体对马绍尔人对COVID-19病例的负面报道。因此,他们提出了一个名为“我们的环礁之歌”的项目,该项目将促进代际交流,并打击负面的刻板印象。第二部分探讨了“歌曲”项目从开始到通过马绍尔青年音乐家(MARK Harmony)的积极行动获得资助和实现。基于采访和我的远程参与,我研究了以工作室为基础的与长辈的接触,乐队通过这种方式(通过歌曲)进行对话和代际学习,以保持社会接近的方式,同时以文化上适当的方式保持身体距离。第三部分对"歌曲"项目的潜在方向进行了批判性评估,包括与文章第一部分相呼应的双向学习,乐队将与其他青年和老年人合作发布公共服务公告,这是一种受到青年对青年健康组织(马绍尔群岛的一个组织)启发的方法。我的结论总结了在公共健康方面关注声音和音乐的道德重要性,并将这些跨太平洋形式的文化上适当的信息传播和代际学习置于更广泛的侨民中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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