Performance values - an artistic research perspective on music performance anxiety in classical music

Francisca Skoogh, H. Frisk
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引用次数: 6

Abstract

Music performance anxiety (MPA) has been studied mainly within the field of psychology and has been defined as a sub-type of social anxiety. Musicians suffering from MPA are commonly referred to individual psychological treatment, but the condition is not yet researched from an artistic perspective. The hypothesis put forward in this article is that the issues concerning MPA are part of a complex system of interactions between performance values and perfectionism and that musicians in general are not given the necessary tools to tackle the anxiety. One of the challenges is that Western classical music performance has many built-in values that need to be problematized and researched in order to address the problems with MPA. Hence, MPA is not to be considered as solely an individual problem but should rather be seen as the result of a wider structural issue related to the commodification of classical Western music and its focus on perfection and virtuo­sity. This article gives an example from the field of artistic research on how it is possible for the performer herself to develop methods to understand and emotionally regulate the impact of perfectionism in Western classical music.
演奏价值——古典音乐演奏焦虑的艺术研究视角
音乐表演焦虑主要在心理学领域进行研究,并被定义为社交焦虑的一种亚型。患有MPA的音乐家通常会接受个别的心理治疗,但目前还没有从艺术的角度对这种情况进行研究。本文提出的假设是,关于MPA的问题是表演价值和完美主义之间相互作用的复杂系统的一部分,音乐家通常没有得到必要的工具来解决焦虑。其中一个挑战是,西方古典音乐表演有许多内在的价值,需要被质疑和研究,以解决MPA的问题。因此,MPA不应被视为单独的个人问题,而应被视为与西方古典音乐商品化及其对完美和精湛的关注有关的更广泛的结构性问题的结果。本文以艺术研究领域为例,阐述了演奏者自己如何开发方法来理解和情感上调节西方古典音乐中完美主义的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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