Beyond the Body

Michael Valinsky
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Abstract

French writer Guillaume Dustan sparked rampant controversy in the 1990s and early 2000s because of his views on barebacking—practicing unprotected sex—as an irresistible prohibition and a duty to his serostatus. In Oeuvres I, a collection of three novels, all published between 1996 and 1998, Dustan explores his seropositivity through a text engorged with pleasure, sadomasochism, and desire. I contend that, in the encounter with the phallic text, the reader engages in an act of linguistic barebacking, taking in the author’s raw language as it becomes a site for erotic power and reproductive seropositivity. I will consider the seropositive text as a body that resists the latex, that cruises an unidentified reader, and that unapologetically penetrates them with the erotic qualities of its language.
超越身体
法国作家纪尧姆·杜斯坦在20世纪90年代和21世纪初引发了激烈的争议,因为他认为裸背(进行无保护的性行为)是不可抗拒的禁令,是对他的仆人身份的责任。在《欧夫勒斯1》(Oeuvres I)这本由三部小说组成的小说集中,杜斯坦通过充满愉悦、受虐和欲望的文本探索了他的血清阳性反应。我认为,在与生殖器文本的接触中,读者参与了一种语言赤裸的行为,接受了作者的原始语言,因为它成为了情爱力量和生殖血清阳性的场所。我将把血清阳性文本看作是一个抵抗乳胶的身体,它在一个身份不明的读者中游弋,并且毫无歉意地用它的语言的情色特质穿透他们。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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