Lo studio delle mani del Piacere

Nicola Di Nino
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Abstract

The article studies the recurrent image of the hand in Il piacere, the first d’Annunzio’s work where the theme, appearing in his earlier works, takes on a central role. The essay shows how the author dwells on gestures and on hands because, referring to Leonardo’s theories and to the symbolist poetics of the end of the century, they would be the external manifestation of an individual’s character. The representation of the hand will be constant in d’Annunzio’s prose and poetry, where the chiromancer author relies on hand gestures to better represent the complicated psychological traits of his characters.
研究快乐之手
本文研究了《广场》中反复出现的手的形象,这是达农齐奥的第一部作品,在他早期的作品中,这个主题占据了中心地位。这篇文章展示了作者是如何在手势和手上停留的,因为参照列奥纳多的理论和世纪末的象征主义诗学,它们将是一个人性格的外在表现。手的表现在丹农齐奥的散文和诗歌中是不变的,手术师的作者依靠手势来更好地表现他笔下人物复杂的心理特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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