{"title":"Decolonizing Pop Music","authors":"Holger Lund","doi":"10.56513/qgav8825-3","DOIUrl":null,"url":null,"abstract":"Colonialism isn’t over, it’s just less visible. As a curator of the Berlin-based label Global Pop First Wave, Holger Lund feels entangled in neo-colonial paradoxes. An essay about the westernization of pop music and why its decolonization is inevitable.","PeriodicalId":366435,"journal":{"name":"Norient - The Now in Sound","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Norient - The Now in Sound","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56513/qgav8825-3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Colonialism isn’t over, it’s just less visible. As a curator of the Berlin-based label Global Pop First Wave, Holger Lund feels entangled in neo-colonial paradoxes. An essay about the westernization of pop music and why its decolonization is inevitable.