ALICIA PARTNOY AND THE LITERARY PROJECT OF TRANSCONTEXTUAL MEMORY MAKING

Deanna H. Mihaly
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Abstract

: Alicia Partnoy reconfigures the experience of trauma, as a disappeared Jewish woman detainee during the Dirty War in Argentina, into an alternative heroic survivor narrative, titled The Little School (1986). The author recently published ¡Escuchá!: Cuentos y versitos para los más chiquitos (2016) letters and poems she had sent her daughter from prison, returning again to the time of her capture and invoking personal memories in the service of a decades-long commitment to international memory-making. In her writing, Partnoy’s struggles are set against a backdrop of surging neo-Fascism ideology, interpreted by historian Federico Finchelstein as a transcontextualization of Holocaust practices on the South American continent manifested in the atrocities committed during the Dirty War. Partnoy’s work indicates the repressive violence of her captivity, and she refers to symbolic acts of anti-Semitism directed at her and other disappeared people as victims, yet the focus of her narrative is instead a tale of resistance and survival. This study identifies in Partnoy’s work a transcontextual literary rendering of the experience of trauma.
艾丽西亚·帕特诺伊和跨语境记忆形成的文学项目
艾丽西亚·帕特诺伊(Alicia Partnoy)将她在阿根廷肮脏战争期间失踪的犹太女囚犯的创伤经历重新配置为另一种英雄幸存者叙事,名为《小学校》(1986)。作者最近出版了《escuch !》: Cuentos y versitos para los más chiquitos(2016)她从监狱寄给女儿的信件和诗歌,再次回到她被捕的时间,并唤起个人记忆,为数十年来致力于国际记忆制造服务。在她的作品中,帕特诺伊的斗争是在新法西斯主义意识形态汹涌的背景下进行的,历史学家费德里科·芬切尔斯坦(Federico Finchelstein)将其解读为南美大陆大屠杀实践的跨语境化,这体现在“肮脏战争”期间犯下的暴行中。帕特诺伊的作品表明了她被囚禁期间的压迫性暴力,她提到了针对她和其他失踪者的象征性反犹太主义行为,作为受害者,然而她的叙事重点是一个反抗和生存的故事。本研究在帕特诺伊的作品中发现了对创伤经历的跨语境文学渲染。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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