Writing Urban Crisis after Moynihan

Stephen Schryer
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Abstract

This chapter explores literary responses to the late 1960s crisis in participatory professionalism, provoked by the period’s race riots and by conservatives’ successful appropriation of liberal poverty discourse. The chapter focuses on two texts that address the Community Action Program: Joyce Carol Oates’s them and Tom Wolfe’s Radical Chic & Mau-Mauing the Flak Catchers. While these texts voice opposing political positions, both distrust white liberal efforts to speak for the ghetto, drawing on traditions of urban writing (naturalism and literary journalism) that resist the process imperative to break down barriers between author, audience, and lower-class subject matter. At the same time, both writers complicate their literary objectivity by incorporating aspects of the very participatory professionalism they seek to delimit.
莫伊尼汉之后的城市危机
这一章探讨了文学对参与式专业主义危机的回应,这一危机是由当时的种族骚乱和保守派成功地挪用自由主义贫困话语所引发的。这一章的重点是两篇关于社区行动计划的文章:乔伊斯·卡罗尔·奥茨的《他们》和汤姆·沃尔夫的《激进的时髦和mauing的高射炮捕手》。虽然这些文本表达了反对的政治立场,但他们都不相信白人自由主义者为贫民窟说话的努力,他们借鉴了城市写作的传统(自然主义和文学新闻),这些传统抵制打破作者、读者和下层阶级主题之间障碍的必要过程。与此同时,两位作家通过融入他们试图界定的参与性专业主义的各个方面,使他们的文学客观性复杂化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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