Projection of Body as Repulsion to Subjugated Female Identity in Mahasweta Devi’s Breast Giver and Parijat’s The Raped Tears of Salgi

Khagendra Prasad Nepal
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Abstract

This paper seeks to analyze how the projection of female body stands as a great repulsion to the female identity that is defined by the male chuavinism with particular reference to the two stories of two prominent writers Mahasweta Devi of India and Parijat of Nepal. One story, Breast Giver, of Mahasweta Devi and a story, The Raped Tears of Salgi, of Parijat have got a keen observation dealing with the female body alienation. This study shows how female bodies have been alienated from their selves; how these female characters Jashoda and Salgi do not have the sense of being distanced from their own selves. The study adopts qualitative methodology and takes Marxist feminism as a theoretical tool to interpret and analyze the primary text. Instead of focusing on the analysis of the theme of the text, the study focuses on analysis of the text in concern with female body portrays in the stories. The female characters are physically assaulted, raped, and coerced time and again. Their bodies become the site where men enact violence. The study argues that these female characters become the victim of violence just because they are women. The study makes an attempt to make people understand how women suffer from gender-based violence in patriarchy.  
Mahasweta Devi的《给予乳房者》和Parijat的《被强奸的萨尔基之泪》中,身体投射作为对被征服的女性身份的排斥
本文以印度作家马哈韦塔·德维和尼泊尔作家帕里贾特的两个故事为例,分析女性身体的投射是如何对男性至上主义所定义的女性身份产生巨大排斥的。马哈韦塔·德维的故事《给予乳房者》和帕里贾特的故事《萨尔吉被强奸的眼泪》对女性身体的异化进行了敏锐的观察。这项研究表明,女性的身体是如何与自我疏离的;这两个女性角色Jashoda和Salgi是如何没有远离自我的感觉的。本研究采用定性研究方法,以马克思主义女性主义为理论工具对原始文本进行解读和分析。本研究的重点不是分析文本的主题,而是分析与故事中女性身体塑造有关的文本。女性角色一次又一次地被殴打、强奸和胁迫。她们的身体成为男人实施暴力的场所。该研究认为,这些女性角色成为暴力的受害者只是因为她们是女性。这项研究试图让人们了解在父权制下女性是如何遭受基于性别的暴力的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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