Linguo-Stylistic Means Prevailing in the Presentation of the Horror Atmosphere in Short Stories by Edgar A. Poe and Mykola Hohol

O. Dolgusheva
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Abstract

The paper addresses the issue of stylistic devices and textual means of creating an atmosphere of horror in the emotive prose of Edgar Poe and Mykola Hohol. The annotated paper is acute as little scholarly attention has been paid to the linguistic matter of presenting the category of horror by both writers while the literary perspective of academic studies of Е.Poe’s and M.Hohol’s writings has evidenced a number of researches, comparative ones including. The category of horror acquires a number of poetic manifestations with both authors: within the set of characters, space and atmosphere designing etc. Edgar Poe as well as Mykola Hohol resorts to various stylistic devices to render the nuances of the horrific atmosphere. On having conducted the research, the author arrives at the conclusion that epithets and metaphors bear the greatest significance and quantity in the narratives of both men of letters since the stories contain abundance of descriptive passages. They include the description of interior and exterior designs of the dwellings, landscapes etc. The mentioned devices are also attributed with symbolic connotation assigning additional meanings and implications alluding to national philosophies and imagery. The discordance in presenting the mood of horror is observed in the way E. Poe and M Hohol evolve the development of the atmosphere as well as in the use of foreshadowing device and color tropes.
埃德加·a·坡和尼古拉·霍霍尔短篇小说中恐怖气氛表现的语言风格手段
本文探讨了埃德加·坡和尼古拉·霍霍尔情感散文中营造恐怖气氛的文体手段和文本手段。注释的论文是尖锐的,因为很少有学者注意到语言问题,以呈现恐怖的类别由两位作家的文学角度的学术研究Е。坡和M.Hohol的作品证明了许多研究,比较研究包括。在两位作者的作品中,恐怖题材获得了许多诗意的表现:在人物设定、空间和氛围设计等方面。埃德加·坡和尼古拉·霍霍尔采用各种风格手段来渲染恐怖气氛的细微差别。在研究的基础上,作者得出结论,在这两位文学家的叙事中,绰号和隐喻的重要性和数量都是最大的,因为他们的故事都包含了大量的描写段落。它们包括对住宅的内部和外部设计、景观等的描述。上述装置也被赋予了象征意义,赋予了额外的意义和暗示,暗指国家哲学和意象。从爱伦·坡和M·霍霍尔对气氛的发展演变,以及对伏笔手法和色彩修辞的运用上,可以看出他们在恐怖情绪表现上的不协调。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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