produções imagéticas: uma pesquisa no modo criança

Vanderleia de lourdes Rodrigues Lopes de oliveira, Bianca Santos chisté
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Abstract

This article is part of a research project guided by a methodology for the production of images by children from 2 to 6 years old, developed in the Zona da Mata, in Rondônia. Children's filmic and photographic image productions inspired this inquiry, and suggest  a novel way of thinking about children, childhood and research. Based on the questions, What can children's image productions tell us in a survey carried out in periods of social isolation? and What do children’s representations tell us about their lives beyond school? we trace the thematic pathways taken in their production of photographic images and short videos,  following our subjects as they engender themselves through the production of images and through their verbal commentaries on those images. What can a child do  with a camera in her/his hands? Observing the patterns of their image-making allowed us to enter  temporalities and spatialities that suggest other ways of being in the world, particularly in a time of pandemic. What these young children  communicate to  us through  their images and video footage is the power of experience, of traces, remnants and scraps, revealing a capacity for astonishment at things that may go unnoticed by adults. They invite us to experience other ways of seeing and relating to the world, creating other senses and sensations for research, or even for life itself.
图像制作:儿童模式的研究
本文是一个研究项目的一部分,该项目由Zona da Mata开发的2至6岁儿童图像制作方法指导,网址为Rondônia。儿童电影和摄影作品激发了这种探究,并提出了一种思考儿童、童年和研究的新方式。基于以下问题:在社会孤立时期进行的一项调查中,儿童形象制作能告诉我们什么?孩子们的表现告诉我们他们在学校之外的生活是什么?我们追踪他们在摄影图像和短视频制作中所采取的主题路径,跟随我们的主题,因为他们通过图像的生产和他们对这些图像的口头评论来产生自己。孩子拿着相机能做什么?观察他们的图像制作模式使我们能够进入时间和空间,这表明了世界上的其他方式,特别是在大流行时期。这些年幼的孩子通过他们的图像和录像向我们传达的是经验、痕迹、残迹和残羹冷食的力量,揭示了他们对成年人可能忽视的事物感到惊讶的能力。它们邀请我们去体验看世界和与世界联系的其他方式,为研究甚至生活本身创造其他的感官和感觉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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