{"title":"The Remains of Modern(ista) Export Routes along the Madeira and the Mamoré","authors":"A. Smith","doi":"10.2307/j.ctv1nzg2nf.10","DOIUrl":null,"url":null,"abstract":"This chapter delves deeper into the topic of literary extractivism by examining a novel that focuses on a place where the extraction of rubber and the extraction of material for literary inspiration overlap. Márcio Souza’s Mad Maria (1980) is a historical novel about the construction of the Estrada de Ferro Madeira-Mamoré, a railroad meant to link the Bolivian rubber industry to an Atlantic trade route. The insertion of Brazilian modernista Mário de Andrade at the end of the novel presents a surprising juxtaposition of the infrastructure project and Brazilian modernism. Chapter 5 suggests that both the literary and industrial instrumentalization of Amazonia can produce easily overlooked waste that nonetheless has lasting implications.","PeriodicalId":179287,"journal":{"name":"Mapping the Amazon","volume":"110 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mapping the Amazon","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1nzg2nf.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter delves deeper into the topic of literary extractivism by examining a novel that focuses on a place where the extraction of rubber and the extraction of material for literary inspiration overlap. Márcio Souza’s Mad Maria (1980) is a historical novel about the construction of the Estrada de Ferro Madeira-Mamoré, a railroad meant to link the Bolivian rubber industry to an Atlantic trade route. The insertion of Brazilian modernista Mário de Andrade at the end of the novel presents a surprising juxtaposition of the infrastructure project and Brazilian modernism. Chapter 5 suggests that both the literary and industrial instrumentalization of Amazonia can produce easily overlooked waste that nonetheless has lasting implications.