Adapting Meter Tracking Models to Latin American Music

Lucas Maia, Martín Rocamora, L. Biscainho, Magdalena Fuentes
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Abstract

Beat and downbeat tracking models have improved significantly in recent years with the introduction of deep learning methods. However, despite these improvements, several challenges remain. Particularly, the adaptation of available models to underrepresented music traditions in MIR is usually synonymous with collecting and annotating large amounts of data, which is impractical and time-consuming. Transfer learning, data augmentation, and fine-tuning techniques have been used quite successfully in related tasks and are known to alleviate this bottleneck. Furthermore, when studying these music traditions, models are not required to generalize to multiple mainstream music genres but to perform well in more constrained, homogeneous conditions. In this work, we investigate simple yet effective strategies to adapt beat and downbeat tracking models to two different Latin American music traditions and analyze the feasibility of these adaptations in real-world applications concerning the data and computational requirements. Contrary to common belief, our findings show it is possible to achieve good performance by spending just a few minutes annotating a portion of the data and training a model in a standard CPU machine, with the precise amount of resources needed depending on the task and the complexity of the dataset.
适应拉丁美洲音乐的节拍跟踪模型
近年来,随着深度学习方法的引入,拍和重拍跟踪模型得到了显著改进。然而,尽管取得了这些进步,仍然存在一些挑战。特别是,在MIR中,将现有模型用于代表性不足的音乐传统通常等同于收集和注释大量数据,这是不切实际且耗时的。迁移学习、数据增强和微调技术已经在相关任务中得到了相当成功的应用,并且可以缓解这一瓶颈。此外,在研究这些音乐传统时,模型不需要推广到多个主流音乐类型,而是需要在更有限的、同质的条件下表现良好。在这项工作中,我们研究了简单而有效的策略,使拍和重拍跟踪模型适应两种不同的拉丁美洲音乐传统,并分析了这些适应在现实世界应用中有关数据和计算需求的可行性。与通常的看法相反,我们的研究结果表明,只需花费几分钟的时间在标准CPU机器上注释部分数据并训练模型,就可以获得良好的性能,所需资源的精确数量取决于任务和数据集的复杂性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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