The Haywain Triptych: A Painted Sermon on the Fruits of Avarice

Elizabeth Hughes Jovanović
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Abstract

The Haywain Triptych is a set of three painted oil on oak panels that contain a complete frontispiece on the exterior and a three-part composition on the interior. It dates to approximately 1510–1516. It was painted by Hieronymus Bosch as a visual ser- mon that discusses the various evils that arise from avarice, most notably violence and aggression. The imagery that is used is drawn from several theological sources. Bosch uses motifs mostly inspired by the Modern Devotion movement and popular theological literature of his time, including the Vulgate translation of the Bible, Augustine, Aquinas, à Kempis, Chrysostom, and Bernard of Clairvaux. The most significant image used is the allegory of hay as a representation of temporal wealth, which is a motif sourced from the Dutch translation of the Vulgate and the popular literary imagery of Bosch’s time. The triptych is a judgment scene that follows original sin, the situation of fallen humanity with regard to avarice, and the ultimate result of sin through death. It also contains a message of entreaty to put aside the sins that come from worldly riches and to follow the righteous path through poverty toward Christ.
海韦恩三联画:一幅关于贪婪果实的布道画
Haywain三联画是一组在橡木板上绘制的三幅油画,其中包括外部的完整正面和内部的三部分组成。它可以追溯到大约1510-1516年。这幅画是希罗尼穆斯·博斯(Hieronymus Bosch)画的,作为一幅视觉说教,讨论了贪婪所带来的各种罪恶,尤其是暴力和侵略。所用的意象来自几个神学来源。博世使用的主题大多受到现代奉献运动和他那个时代的流行神学文学的启发,包括圣经的拉丁文翻译,奥古斯丁,阿奎那,孔肯皮斯,金口,和克莱沃的伯纳德。最重要的意象是干草的寓言,象征着暂时的财富,这是一个主题,来源于荷兰语翻译的《Vulgate》和博世时代的流行文学意象。这幅三联画是一个审判场景,讲述了原罪,堕落的人类对贪婪的看法,以及罪通过死亡的最终结果。它也包含了一个恳求的信息,让我们放下来自世俗财富的罪恶,并在贫穷中跟随正义的道路走向基督。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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