Direct magnitude spectrum analysis algorithm for tone identification in polyphonic music transcription

M. Bohac, J. Nouza
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引用次数: 4

Abstract

This paper proposes a bottom-up (data-driven) algorithm for estimating of the fundamental frequencies (F0) of concurrent musical sounds and for detecting their onsets from single-channel recordings. The algorithm is aimed at transcribing notes played with pitched musical instruments. The complexity of the solved problem is caused by the fact that multiple sound sources create one composite sound wave. Hence, the separation of individual tones is an ambiguous task. The proposed algorithm minimizes the use of traditionally employed perception models. It estimates fundamental frequencies directly from the DFT applied on short signal frames. As the algorithm does not use any musical instrument models, it is instrument-independent. The basic algorithm is complemented by an onset detector so that all pieces of information needed for musical transcription are available, i.e. the onset time, the pitch and the duration of detected tones. The algorithm accuracy has been evaluated using a set of synthesized recordings. The results are compared with those presented by other authors. Our method is straightforward and its results are quite promising: the accuracy of F0 estimation gets over 92 %, that of onset detection is better than 85 %.
复调音乐抄写中音调识别的直接幅度谱分析算法
本文提出了一种自下而上(数据驱动)的算法,用于估计并发音乐声音的基频(F0)并从单通道录音中检测它们的开始。该算法的目的是转录用高音调乐器演奏的音符。所解决问题的复杂性是由于多个声源产生一个复合声波。因此,分离单个音调是一项模棱两可的任务。该算法最大限度地减少了传统感知模型的使用。它直接从应用于短信号帧的DFT估计基频。由于该算法不使用任何乐器模型,因此是与乐器无关的。基本算法是由一个起音检测器补充的,这样就可以获得音乐转录所需的所有信息,即起音时间、音调和检测音调的持续时间。利用一组合成录音对算法的精度进行了评价。结果与其他作者的结果进行了比较。我们的方法简单,结果很有希望:F0估计的准确率超过92%,起始检测的准确率超过85%。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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