Design and the Question of Aesthetics

Carsten Friberg
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引用次数: 2

Abstract

In the article an approach to aesthetics is suggested with the focus on the education of the designer rather than on the outcome of the design. Design is taken to be an interpretative intervention into a social context which requires a sensibility for the context. The forming of this sensibility is the goal of an aesthetic education. Through discussions of different approaches to aesthetics like Grant Kester’s dialogical aesthetics and Kant’s critique of the faculty of judgement, it is emphasized how sensibility as the key focus of aesthetics rather than art and beauty makes the ability to manoeuvre in the social context a central issue of aesthetics. Here, is the argument, is the link to an aesthetic education understood as an education of our senses through cultural products which is also a link to a perspective that appears to be absent in present debates on aesthetics in relation to design. Taking up this approach to aesthetics, is the argument, is to suggest a more profitable view on aesthetics in relation to design and an educational aspects of the designers competences.
设计与美学问题
在这篇文章中,提出了一种美学方法,其重点是设计师的教育,而不是设计的结果。设计被认为是对社会环境的解释性干预,这需要对环境的敏感性。这种感性的形成是审美教育的目标。通过对不同的美学方法的讨论,如格兰特·凯斯特的对话美学和康德对判断力的批判,强调了感性如何成为美学的关键焦点,而不是艺术和美,这使得在社会环境中操纵的能力成为美学的中心问题。这里的论点是,与审美教育的联系被理解为通过文化产品对我们的感官的教育,这也是与一种观点的联系,这种观点在目前关于美学与设计的争论中似乎是缺席的。采用这种美学方法,是为了提出一种与设计和设计师能力的教育方面有关的更有益的美学观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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