Transformation of the image of Baba Yaga performed by George Millar in the films of Alexander Rowe

Maksim Vladimirovich Shumov
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Abstract

The image of Baba Yaga in the folk culture of the ancient Slavs is considered as an object of research in this work. As an important part of folk culture, Russian folk tales take upon themselves the responsibility to broadcast traditional moral qualities and form the basis of a person's evaluative and emotional attitude to the world. The subject of the study is the transformation and interpretation of the image of Baba Yaga performed by the People's Artist of the RSFSR Georgy Millar in the film tales directed by Alexander Rowe. The authors set a goal to identify specific features in the interpretations of the image of Baba Yaga by George Millar and to identify the typology of these images. The methodological basis of the article is content analysis, comparative, statistical, historical and cultural analysis of the films narrator Alexander Rowe. The authors, when considering the problem, achieve the following results: Georgy Millar starred in 16 Alexander Rowe's fairy tales, while performing 27 roles; he played Baba Yaga in 4 fairy tales; only the first is the canonical image, the other three images are the personal merit of Georgy Millar. In the process of developing the problem, the authors identify comparative criteria of Baba Yaga images: external features, behavioral characteristics, character traits. The novelty of the research consists in the unconventionality of the indicated approach, as well as in a comprehensive analysis of the palette of creative possibilities of actor Georgy Millar. As a result of the study, the authors come to the following conclusions: 1) the centuries-old image of Baba Yaga is very complex and often contradictory, so it can be transformed and interpreted; 2) Georgy Millar created 4 different images of the same character - Baba Yaga "Witch", Baba Yaga "Old Housewife", Baba Yaga "Mother" and Baba Yaga "The lady."
在亚历山大·罗的电影中,乔治·米勒表演的巴巴·亚迦形象的转变
本研究以古斯拉夫人民间文化中的巴巴亚迦形象为研究对象。作为民间文化的重要组成部分,俄罗斯民间故事承担着传播传统道德品质的责任,并构成了一个人对世界的评价和情感态度的基础。本研究的主题是对亚历山大·罗执导的电影故事中由俄罗斯苏维埃社会主义共和国人民艺术家乔治·米勒表演的巴巴·亚迦形象的改造和诠释。作者的目标是确定乔治·米勒对巴巴·亚迦形象的具体解释特征,并确定这些形象的类型学。本文的方法论基础是对电影叙述者亚历山大·罗的内容分析、比较分析、统计分析和历史文化分析。考虑到这个问题,作者得出了以下结果:乔治·米勒出演了16部亚历山大·罗的童话,同时扮演了27个角色;他在4个童话故事中扮演巴巴亚伽;只有第一个形象是规范形象,其他三个形象都是乔治·米勒的个人功绩。在展开问题的过程中,作者确定了巴巴雅伽形象的比较标准:外在特征、行为特征、性格特征。这项研究的新颖之处在于所指出的方法的非传统性,以及对演员乔治·米勒(Georgy Millar)创作可能性的全面分析。通过研究得出以下结论:1)巴巴亚迦的百年形象非常复杂,经常是矛盾的,因此它可以被转化和解释;2)乔治·米勒为同一人物创造了4个不同的形象——巴巴亚加“女巫”,巴巴亚加“老主妇”,巴巴亚加“母亲”和巴巴亚加“女士”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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