The Iconography of Early Christian Roman Art

Sean V. Leatherbury
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Abstract

Focusing on works of art produced in the third and early fourth centuries, this chapter considers works in four media—sculpture, painting, mosaic, and textile—in order to illuminate how artists working for Christian patrons adapted and ultimately transformed earlier Roman visual traditions. While some traditional Roman media such as sculpture went out of fashion in the period, iconographies were transferred from three- to two-dimensional forms such as mosaics, which became popular in church interiors. Christian image programs in spaces of worship as well as burial used visual strategies such as typology, the comparison of events from the Old and New Testaments, to present statements of belief, including the hope for salvation after death. Many of the images of “Christian art” were also popular with pagans and Jews but took on particular meanings in the context of spaces used by Christians.
早期基督教罗马艺术的肖像学
本章以三世纪和四世纪早期的艺术作品为重点,考虑了雕塑、绘画、马赛克和纺织品这四种媒介的作品,以阐明为基督教赞助人工作的艺术家如何适应并最终改变了早期罗马视觉传统。虽然一些传统的罗马媒介,如雕塑,在这一时期已经过时,但图像从三维形式转移到二维形式,如马赛克,在教堂内部流行起来。在敬拜和埋葬的空间中,基督教的图像程序使用了视觉策略,如类型学,旧约和新约事件的比较,来呈现信仰的陈述,包括对死后救赎的希望。许多“基督教艺术”的图像也受到异教徒和犹太人的欢迎,但在基督徒使用的空间背景下具有特殊的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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