A Model of the Cognitive and Emotional Processing of Rhetorical Works in Advertising

B. Huhmann
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引用次数: 26

Abstract

This book chapter develops an extensive model of the processing of rhetorical works (i.e., figurative language and visual rhetoric). The model synthesizes two theories - experimental aesthetics, which has explained the processing of creative works (e.g., art, geometric shapes, music, and product designs), and the resource-matching perspective, which holds that processing approaches optimization when resource demand matches the resources that an audience is willing and able to make available. The model's combination of these two theories clarifies phenomena (e.g., the Wundt curve or the components of resource demand) that are otherwise unaccounted for. Further, the model subsumes previous research on advertising rhetoric into a single unified explanation. Additionally, extending the resource-matching perspective to encompass emotional appeals expands the scope of advertising rhetoric research into the unexplored emotional component of rhetorical works. This model should also make important contributions to the literature by suggesting theoretically supported hypotheses for future research.
广告修辞作品的认知和情感加工模式
这一章发展了对修辞作品(即比喻语言和视觉修辞)加工的广泛模型。该模型综合了两种理论——实验美学,它解释了创造性作品(如艺术、几何形状、音乐和产品设计)的加工,以及资源匹配视角,它认为当资源需求与观众愿意并且能够提供的资源相匹配时,加工将趋于优化。该模型将这两种理论结合起来,澄清了在其他情况下无法解释的现象(例如,冯特曲线或资源需求的组成部分)。此外,该模型将以往关于广告修辞的研究纳入到一个统一的解释中。此外,将资源匹配的视角扩展到情感诉求,将广告修辞学研究的范围扩展到修辞学作品中未被探索的情感成分。该模型还应为未来的研究提出理论支持的假设,从而对文献做出重要贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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