Embedding impact in collaborative filmmaking processes: a case study

H. Bendon, Vesna Lukić
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引用次数: 0

Abstract

ABSTRACT Working with two community partners, Barnet Mencap and Why me? (a restorative justice provider), we were invited, with our students from the BA Film programme at Middlesex University, to participate in a knowledge exchange project. The aim of this project was to make the processes of restorative justice more accessible to individuals with learning disabilities and/or autism. We produced and delivered four short educational/campaign films, which are now available online, including on our partners’ websites. While the anticipated impact of the films was clearly defined, positioned from the outset of the project and will be monitored over time, we wish to shift our focus in this article away from the outcomes and explore the notion of impact in relation to the process of making these films. We worked collaboratively with our students, challenging hierarchical assumptions both in an educational setting and in the context of a filmmaking crew. Most importantly, the collaboration also entailed working with a group of neurodivergent actors, who contributed, apart from their acting, through improvisation and interventions to the script. In this context, our project provides for an insightful framework for thinking about impact in relation to a more accessible and inclusive filmmaking process.
在合作电影制作过程中嵌入影响:一个案例研究
与两个社区伙伴Barnet Mencap和Why me?(一个恢复性司法提供者),我们被邀请与我们的学生从文学士电影项目在米德尔塞克斯大学,参加一个知识交流项目。该项目的目的是使有学习障碍和/或自闭症的个人更容易获得恢复性司法程序。我们制作并发布了四部教育/宣传短片,现在可以在网上观看,包括在我们合作伙伴的网站上。虽然电影的预期影响是明确定义的,从项目一开始就定位,并将随着时间的推移进行监测,但我们希望在本文中转移我们的重点,从结果转移到探索与制作这些电影过程相关的影响概念。我们与学生合作,在教育环境和电影制作团队的背景下挑战等级假设。最重要的是,这次合作还需要与一群神经分化的演员合作,他们除了表演外,还通过即兴创作和干预剧本做出贡献。在这种背景下,我们的项目提供了一个深刻的框架来思考与更容易获得和包容的电影制作过程有关的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
1.30
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