Black Holes and Killer Asteroids: The public perception of astronomy

F. Watson
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引用次数: 3

Abstract

"When they set out to enjoy themselves, astronomers are no different from anyone else. True, their working lives are spent contemplating the infinite, but it is usually with their feet firmly on the ground that they have their fun. And, just as for anyone else, that occasionally turns out to be something extra-special. A couple of years ago, such a treat came my way in the shape of a concert given by the Sydney Symphony Orchestra on their home turf at the Opera House. Included in the program was the world premiere of a work by a close friend, the Sydney-based composer Ross Edwards. His second symphony, subtitled Earth Spirit Songs, was given a truly stunning first performance by the soprano Yvonne Kenny, and Sydney's concertgoers greeted it with rapture. When the modest and retiring Edwards briefly took the stage to acknowledge the applause, the response was deafening. It was a very special moment—and a welldeserved one. Ross' music has that peculiar combination of accessibility and inspired perfection that has always characterised the work of the most gifted composers. Its appeal is immediate, reaching out to people and finding something uniquely Australian in response. But, at the same time, it has great depth. Its finely-crafted structure bears detailed study long after the euphoria of the first performance has died away. You might be forgiven for wondering what this has to do with the public perception of astronomy. But I think the answer is not so deeply hidden. We have a science that has much in common with the music of a modern-day master like Ross Edwards. It has instant public appeal—accessibility, excitement, incredible beauty, and a sense of something singularly important to our understanding of our origins and our destiny. Yet it is founded on some of the most profound and difficult concepts of modern physics. Like an Edwards symphony, the Universe has an organic cohesion that requires deeper study for it to be fully appreciated. The result is a discipline with a unique place in the canon of scientific endeavour, certainly as far as its public profile is concerned.
黑洞和杀手小行星:公众对天文学的看法
“当他们开始享受自己的时候,天文学家和其他人没有什么不同。诚然,他们的工作生活是在思考无限,但他们的乐趣通常是脚踏实地的。而且,就像其他人一样,这偶尔会变成一些特别的东西。几年前,悉尼交响乐团(Sydney Symphony Orchestra)在他们的主场歌剧院(Opera House)举办了一场音乐会,给我带来了这样的享受。活动中还包括他的好友、悉尼作曲家罗斯·爱德华兹(Ross Edwards)的一部作品的全球首演。他的第二交响曲,副标题为《大地之歌》,由女高音伊冯娜·肯尼首次演出,令人惊叹,悉尼的音乐会观众欣喜若狂。当谦虚、即将退休的爱德华兹短暂地上台致谢时,台下的反响震耳欲聋。那是一个非常特别的时刻——一个当之无愧的时刻。罗斯的音乐有一种独特的亲和力和灵感的完美结合,这一直是最有天赋的作曲家作品的特征。它的吸引力是立竿见影的,向人们伸出援手,找到澳大利亚特有的东西作为回应。但同时,它也很有深度。在第一次演出的欣快感消失很久之后,其精巧的结构仍值得仔细研究。如果你想知道这与公众对天文学的看法有什么关系,这是可以理解的。但我认为答案并没有隐藏得那么深。我们的科学与罗斯·爱德华兹这样的现代大师的音乐有很多共同之处。它具有即时的公众吸引力——平易近人、令人兴奋、令人难以置信的美,以及一种对我们理解自己的起源和命运极其重要的感觉。然而,它是建立在现代物理学中一些最深刻、最困难的概念之上的。就像爱德华兹的交响乐一样,宇宙有一种有机的凝聚力,需要更深入的研究才能充分欣赏它。其结果是,就其公众形象而言,这门学科在科学努力的经典中具有独特的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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