The Protection of Performers’ Rights under the Copyright Act 2022: A Critique

S. Alabi
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Abstract

The protection of Neighbouring Rights is an essential aspect of the legal regime of copyright in every jurisdiction. This is more so in Nigeria where there has been an explosion of the film industry, musical performances and radio and television broadcasting which these rights protect and an even greater explosion of technology with which rights protectable under copyright statutes can be infringed upon. The Nigerian Copyright Act Cap. C28 Laws of the Federation of Nigeria 2004 made copious provisions for the protection of Neighbouring Rights in Part II thereof. However, over time, these provisions became inadequateto secure the protectable interests of performers with the increase in open and sleuth technology and the tenacity of infringers to undermine the interests of rights owners. The agitation of stakeholders to review the statute to accommodate new challenges in the industry has yielded fruit with the signing into law of the new Nigerian Copyright Act 2022 by former President Muhammadu Buhari. This paper looks at the provisions of the new Act to ascertain how well they protect performers’ rights against the background of the challenges that led to a review of the old Act. The paper does a comparison of the new provisions with the old provisions and with provisions in similar jurisdictions outside Nigeria. The paper finds that the new Act has greatly improved the protection available to performers and adequately meets international standards.
《2022年版权法》对表演者权利的保护:一个批判
保护邻接权是每个司法管辖区版权法律制度的一个重要方面。在尼日利亚更是如此。在那里,这些权利所保护的电影工业、音乐表演以及广播和电视广播出现了爆炸式增长,而受版权法规保护的权利可能受到侵犯的技术则出现了更大的爆炸式增长。2004年尼日利亚联邦法律第C28章《尼日利亚版权法》在其第二部分中对保护邻接权作出了大量规定。然而,随着时间的推移,随着公开和侦查技术的发展,以及侵权人损害权利人利益的顽固,这些规定已不足以确保表演者的可保护利益。随着前总统穆罕默杜·布哈里签署新的《2022年尼日利亚版权法》,利益相关者对该法规进行审查以适应该行业的新挑战的激动已经取得了成果。本文着眼于新法案的条款,以确定它们如何在导致对旧法案进行审查的挑战的背景下保护表演者的权利。本文对新规定与旧规定以及尼日利亚以外类似司法管辖区的规定进行了比较。本文发现,新法案大大提高了对表演者的保护,充分符合国际标准。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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