HIP HOP AS A REFLECTION OF AMERICAN VALUES: A SEMIOTICS ANALYSIS ON SAVE THE LAST DANCE AND STEP UP MOVIES

Naris Eka Setyawati
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Abstract

This study examines seven movies that are based on characters created by Duane Adler. They are two Save the Last Dance and five Step Up movies. This discussion is a library research which is conducted within the framework of American Studies approach under the scope of history, social, and culture. This research uses Barthes’ semiotics theory on myth to analyze the depiction of American phenomena in the movies.The objectives of this study are to examine the portrayal of Hip Hop in United States of America and to analyze the reflection of American values through movies. The discussions on the topic reveal that Hip Hop becomes the source for movies’ narratives. It is manifested in hip hop related scenes of the movies. They portray signs of rebellion and juvenile delinquency in the first order-semiological system. These portrayals reflect American values of rebellion and freedom. Moreover, life struggle and American belief in the land of opportunity play the signs in Barthes’ second order-semiological system. The American values reflected through the discussions are competitiveness, hard work, determined, optimism, and materialism.Keywords: Hip Hop, hip hop, popular culture, semiotics, American values
反映美国价值观的嘻哈:《拯救最后一支舞》与《跳起来》电影的符号学分析
这项研究调查了七部以杜安·阿德勒创作的角色为基础的电影。它们是两部《拯救最后一支舞》和五部《舞出我人生》。本次讨论是在美国研究方法的框架下,在历史、社会和文化的范围内进行的图书馆研究。本研究运用巴特的神话符号学理论来分析电影中对美国现象的描写。本研究的目的是研究嘻哈在美国的写照,并分析美国价值观通过电影的反映。通过对这一话题的讨论,我们可以发现嘻哈成为了电影叙事的源泉。这体现在电影中与嘻哈相关的场景中。他们在一级符号学系统中描绘叛逆和青少年犯罪的迹象。这些形象反映了美国人叛逆和自由的价值观。此外,生活斗争和美国人对机会之地的信仰在巴特的二阶符号学体系中起着标志作用。通过讨论反映出的美国价值观是竞争、努力、坚定、乐观、物质主义。关键词:嘻哈,嘻哈,流行文化,符号学,美国价值观
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