Postcolonial Projection of the Burden of a White European God In Chimamanda Adichie’s Purple Hibiscus

أحمد الکحکى
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Abstract

aalkahky@du.edu.eg Abstract Eugene Achike in Adichie‘s Purple Hibiscus , subjects his family to extreme physical violence in the guise of discipline and religious legalism. He repeatedly batters his pregnant wife causing her miscarriage for not going with his to visit the English priest; he lashes his wife and children with his leather belt for breaking a Eucharist fast; and he deforms his only son‘s hand for missing two questions in a catechism test. Eugene ruthlessly scalds his daughter‘s feet with boiling water for walking into sin when she stays with his pantheist father under the same roof, and he almost kills her for hiding a picture of him. This paper deals critically with the hypothesis that Eugene Achike is a psychopathic postcolonial mimic potentate who disdains his ethnic language, culture and faith. The paper investigates how Eugene projects his psychological throes unto his family members for fear of not conforming to the teachings of a culture and a religious faith that belong exclusively to a racist white European colonialist
《紫芙蓉》中欧洲白人上帝负担的后殖民投射
aalkahky@du.edu.eg摘要在阿迪契的《紫色木槿》中,尤金·阿奇克以纪律和宗教法家主义为幌子,使他的家人遭受极端的身体暴力。他多次殴打怀孕的妻子,导致她流产,因为她没有和他一起去拜访英国牧师;他用皮带鞭打他的妻子和孩子,因为他们打破了圣餐的禁食;他还因为儿子在一次教义问答考试中漏了两道题而把他的手弄变形了。尤金无情地用沸水烫他女儿的脚,因为她和他的泛神论父亲住在同一个屋檐下,他差点杀了她,因为她藏了一张他的照片。本文对尤金·阿奇克是一个蔑视本民族语言、文化和信仰的精神变态的后殖民模仿者的假设进行了批判。这篇论文调查了尤金是如何将他的心理痛苦投射给他的家人的,因为他害怕不符合一个只属于种族主义白人欧洲殖民者的文化和宗教信仰的教义
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