DEVELOPMENT OF UZBEK THEATER ARTIN THE HISTORICAL AND THEORETICAL ASPECT

Abstract

The article provides a scientific analysis of the difficult financial situation of the theaters of Uzbekistan in recent years in the post-Soviet space, a sharp decline in the quality of stage performances, staff turnover, as well as changes in the theaters of the republic during the period of perestroika. Although the strategy “Main Directions of Theatrical Development and Reconstruction of Theater Creativity in Uzbekistan” is well thought out, in practice it has undergone critical scrutiny based on the sources from which most theaters operate in the old way. It is scientifically substantiated that radical changes in the theatrical art began to take place only in the period of independence. This process is analyzed on the basis of laws, decrees, decisions taken at the state level