Tone Realization in Mandarin Speech: A Large Corpus Based Study of Disyllabic Words

Yaru Wu, L. Lamel, M. Adda-Decker
{"title":"Tone Realization in Mandarin Speech: A Large Corpus Based Study of Disyllabic Words","authors":"Yaru Wu, L. Lamel, M. Adda-Decker","doi":"10.1109/ISCSLP49672.2021.9362073","DOIUrl":null,"url":null,"abstract":"This study aims to increase our knowledge about tone realization in disyllabic words in continuous Mandarin speech. Automatic alignments of large speech corpora were carried out to enable the study of potential tone variants, with a special focus on variation factors such as prosodic position and right tonal context. The alignments without tone variants (V0, phonological representation) show that Tone 4 is more frequent in phrase-final position than in other prosodic positions, supporting the \"declination line\" pattern often observed in speech production. Tone 4 is also the most frequent lexical tone (>50%) in all prosodic positions. Alignments permitting tone variants (V1, phonetic realization) show an increase of Tone 1 in phrase-initial position, compared to V0. Tone realization is observed to be related not only to the prosodic position, but also to the within-word right tonal context. Unsurprisingly, the most notable change in tone realization happens for Tone 3 in the first syllable of disyllabic words when followed by another Tone 3 because of the well-known \"tone sandhi rule\" in which T3T3 disyllabic words become T2T3. Cross-word right tonal context is found to impact only Tone 3. However, the results in this study show that Tone 3 sandhi rule is more a tendency than an absolute rule.","PeriodicalId":279828,"journal":{"name":"2021 12th International Symposium on Chinese Spoken Language Processing (ISCSLP)","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"2021 12th International Symposium on Chinese Spoken Language Processing (ISCSLP)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ISCSLP49672.2021.9362073","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

This study aims to increase our knowledge about tone realization in disyllabic words in continuous Mandarin speech. Automatic alignments of large speech corpora were carried out to enable the study of potential tone variants, with a special focus on variation factors such as prosodic position and right tonal context. The alignments without tone variants (V0, phonological representation) show that Tone 4 is more frequent in phrase-final position than in other prosodic positions, supporting the "declination line" pattern often observed in speech production. Tone 4 is also the most frequent lexical tone (>50%) in all prosodic positions. Alignments permitting tone variants (V1, phonetic realization) show an increase of Tone 1 in phrase-initial position, compared to V0. Tone realization is observed to be related not only to the prosodic position, but also to the within-word right tonal context. Unsurprisingly, the most notable change in tone realization happens for Tone 3 in the first syllable of disyllabic words when followed by another Tone 3 because of the well-known "tone sandhi rule" in which T3T3 disyllabic words become T2T3. Cross-word right tonal context is found to impact only Tone 3. However, the results in this study show that Tone 3 sandhi rule is more a tendency than an absolute rule.
普通话语音中的声调实现:基于大语料库的双音节词研究
本研究旨在增加我们对普通话连续语音中双音词声调实现的认识。对大型语料库进行自动对齐,以研究潜在的音调变化,特别关注韵律位置和正确的音调上下文等变化因素。没有声调变体的排列(V0,语音表示)表明,声调4在短语结尾位置比在其他韵律位置更频繁,支持在语音产生中经常观察到的“衰落线”模式。声调4也是所有韵律位置中出现频率最高的词汇声调(>50%)。允许声调变体的对齐(V1,语音实现)显示,与V0相比,声调1在短语初始位置增加。声调实现不仅与韵律位置有关,而且与词内正确的声调语境有关。不出所料,声调实现最显著的变化发生在双音节单词的第一个音节中的声调3,当后面跟着另一个声调3时,因为众所周知的“声调变调规则”,T3T3双音节单词变成了T2T3。交叉词右调性语境被发现只影响音调3。然而,本研究的结果表明,调三变调规则更多的是一种趋势,而不是绝对规则。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信