Sapphic Echoes in Catullus 1–14

Olivier Thévenaz
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引用次数: 1

Abstract

This chapter argues that a pattern of Sapphic allusions in the first fourteen poems of Catullus’ poetry book constitute a hitherto neglected unity similar to that which scholarship now recognizes as a group of allusions to the Greek epigrammatist Meleager in the same Catullan corpus. This Sapphic pattern, inter alia, confirms the importance of Sappho as a model author for Catullus. The argument emerges from a close examination of Catullus’ first fourteen poems, particularly poems 2, 3, 6, 8, and 11, as well as Catullus’ epithalamial poem 62, in comparison with Sappho poem 1, her fragments 105b (Voigt), and 137, whose metrical form of Alcaics (uniquely among extant Sapphic fragments) paves the way for an investigation into the institution of ancient symposia and the theme of friendship in Greek and Roman poetry.
卡图卢斯1-14章萨菲的回声
这一章认为在卡图卢斯诗集的前十四首诗中萨斐典籍的模式构成了一个迄今为止被忽视的统一性,类似于学术界现在认为的在同一个卡图卢斯语料库中对希腊警句大师Meleager的典籍。这种萨福的模式,除其他外,证实了萨福作为卡图卢斯的模范作者的重要性。对卡图卢斯的前十四首诗,特别是第2、3、6、8和11首诗,以及卡图卢斯的颂诗62,与萨福的第1首诗、她的片段105b (Voigt)和137作比较,论证产生于对卡图卢斯的颂诗的仔细研究,这些颂诗的格律形式(在现存的萨福诗片段中是独一无二的)为研究古代座谈会的制度和希腊罗马诗歌中的友谊主题铺平了道路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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