{"title":"안동 봉황사 삼세불 제작에 사용된 섬유의 동정","authors":"조경실, 백영미","doi":"10.12654/JCS.2012.28.4.297","DOIUrl":null,"url":null,"abstract":"안동 봉황사의 삼세불(三世佛)은 대웅전 후불탱화로 경상북도 유형문화재 406호로 지정되어 있다. 이들 탱화들은 조선시대 삼세불화 연구의 기준이 되는 작품으로 귀중한 의미를 지닌다. 본 연구에서는 이들 탱화가 그려진 바탕직물의 섬유에 대해 현미경 관찰 및 용해법과 감쇠 전반사이용 적외분광분석법, 주사전자현미경 등을 이용하여 섬유의 재질을 동정하였다. 실험을 위해 보존처리과정 중 수거된 약사불 시료 2점(A, B), 석가불 시료 1점(C), 아미타불 시료 1점(D)을 채취하여 사용하였다. 본 시료들에 대해 기존의 문화재 명칭에는 삼베로 기록되어 있었다. 열화가 심하고 두꺼운 먼지층을 형성하고 있어 육안으로는 감별이 어려웠으나 본 실험을 통하여 약사불 시료1점(A)을 제외하고는 모두 견직물임을 알 수 있었다. 【Samsebul, the altar portrait behind the statue of Buddha in the main building of Bonghwang temple in Andong, has been designated as Tangible Cultural Property No. 406. These alter portraits have significance as the standard of the research of Samsebul in Joseon period. In this study, fibre of the ground textile is identified using microscopic examination, solubility test, ATR-FT-IR, SEM, XRD. Two samples from Yaksabul(A, B), one sample from Seokgabul(C), and one sample from Amitabul(D), which were collected during the conservation process, were prepared for this study. In previous record, above samples were documented as hemp. Due to severe deterioration and accumulated dust layers on these samples, it was hard to recognize them with naked eyes, but through this study, we could identify that all samples except one from Yaksabul(A) are silk.】","PeriodicalId":156144,"journal":{"name":"Journal of the Korean society of conservation science for cultural properties","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2012-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Korean society of conservation science for cultural properties","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12654/JCS.2012.28.4.297","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
안동 봉황사의 삼세불(三世佛)은 대웅전 후불탱화로 경상북도 유형문화재 406호로 지정되어 있다. 이들 탱화들은 조선시대 삼세불화 연구의 기준이 되는 작품으로 귀중한 의미를 지닌다. 본 연구에서는 이들 탱화가 그려진 바탕직물의 섬유에 대해 현미경 관찰 및 용해법과 감쇠 전반사이용 적외분광분석법, 주사전자현미경 등을 이용하여 섬유의 재질을 동정하였다. 실험을 위해 보존처리과정 중 수거된 약사불 시료 2점(A, B), 석가불 시료 1점(C), 아미타불 시료 1점(D)을 채취하여 사용하였다. 본 시료들에 대해 기존의 문화재 명칭에는 삼베로 기록되어 있었다. 열화가 심하고 두꺼운 먼지층을 형성하고 있어 육안으로는 감별이 어려웠으나 본 실험을 통하여 약사불 시료1점(A)을 제외하고는 모두 견직물임을 알 수 있었다. 【Samsebul, the altar portrait behind the statue of Buddha in the main building of Bonghwang temple in Andong, has been designated as Tangible Cultural Property No. 406. These alter portraits have significance as the standard of the research of Samsebul in Joseon period. In this study, fibre of the ground textile is identified using microscopic examination, solubility test, ATR-FT-IR, SEM, XRD. Two samples from Yaksabul(A, B), one sample from Seokgabul(C), and one sample from Amitabul(D), which were collected during the conservation process, were prepared for this study. In previous record, above samples were documented as hemp. Due to severe deterioration and accumulated dust layers on these samples, it was hard to recognize them with naked eyes, but through this study, we could identify that all samples except one from Yaksabul(A) are silk.】
安东凤凰寺的三世佛是大雄殿后佛帧画,被指定为庆尚北道有形文化遗产406号。这些帧画是朝鲜时代研究三世佛画的标准作品,具有宝贵的意义。本研究对画有帧画的底色织物的纤维,利用显微镜观察及溶解法和阻尼器之间的溶外光谱分析法、扫描电子显微镜等,对纤维的材质进行了鉴定。为进行实验,采集了保存处理过程中收集的2件药师佛试料(A, B)、1件释迦佛试料(C)、1件阿弥陀佛试料(D)。在现有的文化遗产名称中,本样本用麻布进行了记录。由于烈火严重,形成厚厚的灰尘层,肉眼难以鉴别,但通过本实验,除1件药师佛试料(A)外,均为丝织品。Samsebul, the altar portrait behind the statue of Buddha in the main building of Bonghwang temple in Andong, has been designated as Tangible Cultural Property No. 406。These alter portraits have significance as the standard of the research of Samsebul in Joseon period。In this study, fibre of the ground textile is identified using microscopic examination, solubility test, ATR-FT-IR, SEM, XRD。Two samples from Yaksabul(A, B), one sample from Seokgabul(C), and one sample from Amitabul(D), which were collected during the conservation process, were prepared for this study。In previous record, above samples were documented as hemp。Due to severe deterioration and accumulated dust layers on these samples, it was hard to recognize them with naked eyes, but through this study,we could identify that all samples except one from Yaksabul(A) are silk。