The Language of Violation

Y. Howard
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Abstract

In this chapter, ugliness is observable as conceptual and textual in Sapphire’s underground performance poetry and subsequent body of work. Physical, verbal, and sexual abuse operates as a distinctively disquieting poetics that transvalues racial and sexual ugliness for a recognition of the role that abuse plays in conceiving of minority difference. This chapter locates the violated body in and through the Black-Arts–inspired explicit and experiential language of violation in poems from Sapphire’s American Dreams (1994) and Black Wings & Blind Angels (1999). Legacies of survival, abuse, and the pejorative surface as reinscriptions of violence on the queer black body in Sapphire’s related texts: Push (1996), its film adaptation, Precious (2009), and its follow-up novel, The Kid (2011).
违章的语言
在这一章中,我们可以看到,在萨菲尔的地下表演诗歌和随后的作品中,丑陋是概念性的和文本性的。身体、语言和性虐待作为一种独特的令人不安的诗学运作,它超越了种族和性的丑陋,认识到虐待在构思少数民族差异方面所起的作用。这一章在《美国梦》(1994)和《黑翼与盲天使》(1999)的诗歌中,通过受黑术启发的明确的、体验性的侵犯语言,找到了被侵犯的身体。在蓝宝石的相关文本中,生存的遗产、虐待和轻蔑的表面作为暴力在酷儿黑人身体上的铭文:《推》(1996)、改编自它的电影《珍爱》(2009)和它的后续小说《孩子》(2011)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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