{"title":"The Language of Violation","authors":"Y. Howard","doi":"10.5622/ILLINOIS/9780252041884.003.0003","DOIUrl":null,"url":null,"abstract":"In this chapter, ugliness is observable as conceptual and textual in Sapphire’s underground performance poetry and subsequent body of work. Physical, verbal, and sexual abuse operates as a distinctively disquieting poetics that transvalues racial and sexual ugliness for a recognition of the role that abuse plays in conceiving of minority difference. This chapter locates the violated body in and through the Black-Arts–inspired explicit and experiential language of violation in poems from Sapphire’s American Dreams (1994) and Black Wings & Blind Angels (1999). Legacies of survival, abuse, and the pejorative surface as reinscriptions of violence on the queer black body in Sapphire’s related texts: Push (1996), its film adaptation, Precious (2009), and its follow-up novel, The Kid (2011).","PeriodicalId":122819,"journal":{"name":"Ugly Differences","volume":"111 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ugly Differences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5622/ILLINOIS/9780252041884.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In this chapter, ugliness is observable as conceptual and textual in Sapphire’s underground performance poetry and subsequent body of work. Physical, verbal, and sexual abuse operates as a distinctively disquieting poetics that transvalues racial and sexual ugliness for a recognition of the role that abuse plays in conceiving of minority difference. This chapter locates the violated body in and through the Black-Arts–inspired explicit and experiential language of violation in poems from Sapphire’s American Dreams (1994) and Black Wings & Blind Angels (1999). Legacies of survival, abuse, and the pejorative surface as reinscriptions of violence on the queer black body in Sapphire’s related texts: Push (1996), its film adaptation, Precious (2009), and its follow-up novel, The Kid (2011).