creare i sensi della terra: il respiro naturale della comunità di indagine

V. Roversi, A. Cavallo, Daniel Barenco mello contage
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引用次数: 1

Abstract

 The earth is the archetypal image of the origin of humanity, but throughout the history of Western culture it has given way to other, more heavenly allegories. Enlightenment as a paradigm of knowledge consolidated itself in Western philosophical thought in a very convincing way as a production of meanings. Through this rereading of the first Greek metaphysics, thought gradually distanced itself from its materiality, from its humanity, from the possibility of admiring the concrete world, getting closer and closer to the need to create abstract objects, which, as ethical limits, political, aesthetic and epistemological, we end up meeting again in our lives. Visibility seems to be the basis of a Western mental habitus: recognition, officiality, legitimacy and certainty become visible signs with which we compare and validate our own experiences. The earth, as a less transparent element, with greater ability to hide, occult, encrypt represents, however, an image that is better suited to the discussion plan proposed in this text. The relationship with reality, in terms of visibility and invisibility, requires a new perception of the world: the underlying structure no longer assumes a transcendent level, but is understood as a plane of immanence, in which meaning is interior, produced by compositions; an amalgam of networks that intertwine in an imperceptible, invisible underground plane. What we propose here is not a vertical perspective, but a horizontal one like the ground. It is from this earthly thought that we want to reflect on what happens in philosophy and childhood; in philosophy with childhood and in the childhood of philosophy. In the present attempt of an ecophilosophy of education, the discussion plan requires a deviation from the guiding images with which we learn to do research. The intention of the following investigation is to look for another type of map: a kind of subterranean cartography, which pays attention not to what we can see, which has well-defined names and categories, but to what is hidden and inhabits a plane that is muddy, earthly, indistinguishable and absolutely alive. According to the Lipmanian model of Philosophy for Children, the subterranean and rhizomatic processes of the research community will be examined, comparing them to other collective movements that characterize the vegetable communities of plants that inhabit the natural world. Finally, three concepts considered relevant to escape the limits found in some contemporary pedagogical postures will be illustrated, suggesting other paths in the relationship between philosophy, childhood and education: reciprocity, passivity and invisibility.
创造地球的感官:研究界的自然气息
大地是人类起源的原型形象,但在整个西方文化史上,它已经让位于其他更神圣的寓言。启蒙作为一种知识范式在西方哲学思想中以一种令人信服的方式巩固了自己作为一种意义的产物。通过对第一个希腊形而上学的重读,思想逐渐远离它的物质性,远离它的人性,远离欣赏具体世界的可能性,越来越接近创造抽象对象的需要,作为伦理限制,政治,美学和认识论,我们最终在我们的生活中再次相遇。可见性似乎是西方心理习惯的基础:承认、官方、合法性和确定性成为我们比较和验证自己经验的可见标志。然而,地球作为一个不太透明的元素,具有更大的隐藏、神秘和加密能力,代表了一个更适合本文提出的讨论计划的图像。就可见性和不可见性而言,与现实的关系需要对世界有一种新的感知:底层结构不再具有超越的层面,而是被理解为内在的层面,其中意义是内在的,由构图产生;一个混合的网络,交织在一个难以察觉的,看不见的地下平面。我们在这里提出的不是垂直视角,而是像地面一样的水平视角。正是从这种世俗的思想中,我们想要反思哲学和童年中发生的事情;在哲学的童年和哲学的童年。在当前生态教育哲学的尝试中,讨论计划要求偏离我们学习做研究的指导形象。下面调查的目的是寻找另一种类型的地图:一种地下制图,它关注的不是我们能看到的东西,它有明确的名称和类别,而是隐藏的东西,栖息在一个泥泞的、世俗的、难以区分的、绝对有生命的平面上。根据Lipmanian的儿童哲学模型,研究团体的地下和根茎过程将被检查,并将它们与栖息在自然界的植物群落特征的其他集体运动进行比较。最后,将阐述三个概念,这些概念被认为与逃避当代教学方式的限制有关,并提出哲学、童年和教育之间关系的其他途径:互惠、被动和不可见。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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