Exploring the work of Dorothy Arzner as a film-making teacher in southern California

Martin F. Norden
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Abstract

Dorothy Arzner is best remembered as one of the exceptionally few women to direct feature films during Hollywood’s ‘golden age’. One of the lesser known dimensions of her career is her work as a film-making teacher in southern California during a time of great change in the ways that US-based film-makers learnt their craft. During the 1950s and 1960s, students were no longer limited to on-the-job studio training, as Arzner had been in her prime; instead, they were learning how to make films via college and university coursework, and Arzner was unquestionably a key player in this educational transition. After examining her preliminary instructional work with Realart Pictures and the Women’s Army Auxiliary Corps, this article explores Arzner’s teaching experiences at the Pasadena Playhouse College of Theatre Arts and the University of California Los Angeles. It combines her assessments of her pedagogical practices with commentary from former students and colleagues to provide a composite portrait of this pivotal film-maker turned educator.
探索多萝西·阿兹纳作为南加州电影制作教师的作品
多萝西·阿兹纳是好莱坞“黄金时代”为数不多的导演电影的女性之一。在她的职业生涯中,一个鲜为人知的方面是她在南加州担任电影制作教师,当时美国电影制作人学习电影技巧的方式发生了巨大变化。在20世纪50年代和60年代,学生们不再局限于在职工作室的培训,就像阿兹纳的全盛时期一样;相反,他们通过学院和大学课程学习如何制作电影,而阿兹纳无疑是这一教育转变的关键人物。在考察了她与Realart Pictures和女子陆军辅助队的初步教学工作之后,本文探讨了Arzner在帕萨迪纳剧场戏剧艺术学院和加州大学洛杉矶分校的教学经历。这本书结合了她对自己教学实践的评价,以及她以前的学生和同事的评论,为这位从电影制片人转变为教育家的关键人物提供了一幅综合肖像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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