Reflections of a Baniwa artist

IF 0.3
Denilson Baniwa, Renato Rodrigues da Silva, T. Bogéa
{"title":"Reflections of a Baniwa artist","authors":"Denilson Baniwa, Renato Rodrigues da Silva, T. Bogéa","doi":"10.1080/21500894.2023.2170457","DOIUrl":null,"url":null,"abstract":"In this interview, Denilson Baniwa (Barcelos, Amazon state, 1984) analyses his origin as an activist in the indigenous movement of the Amazon region, working as a graphic designer and social communicator. After moving to Manaus and, later on, to Niterói, Rio de Janeiro state, he took on a more active role as a visual artist and curator. During that time, he grew increasingly cognizant of the impact of the artistic symbols produced by Brazilian academicism in relation to his own history as an indigenous person. Baniwa then analyses the relationship between his art and the environmental crisis, believing that the interdisciplinary nature of his practice is an optimal medium to intervene in reality through the changing of consciousness of onlookers.","PeriodicalId":412489,"journal":{"name":"World Art","volume":"36 1","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"World Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21500894.2023.2170457","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

Abstract

In this interview, Denilson Baniwa (Barcelos, Amazon state, 1984) analyses his origin as an activist in the indigenous movement of the Amazon region, working as a graphic designer and social communicator. After moving to Manaus and, later on, to Niterói, Rio de Janeiro state, he took on a more active role as a visual artist and curator. During that time, he grew increasingly cognizant of the impact of the artistic symbols produced by Brazilian academicism in relation to his own history as an indigenous person. Baniwa then analyses the relationship between his art and the environmental crisis, believing that the interdisciplinary nature of his practice is an optimal medium to intervene in reality through the changing of consciousness of onlookers.
Baniwa艺术家的倒影
在这次采访中,Denilson Baniwa(巴塞洛斯,亚马逊州,1984年)分析了他作为亚马逊地区土著运动活动家的出身,他是一名平面设计师和社会传播者。在搬到玛瑙斯之后,后来又搬到里约热内卢州Niterói,他作为一名视觉艺术家和策展人扮演了更积极的角色。在那段时间里,他越来越意识到巴西学院派产生的艺术符号对他自己作为土著人的历史的影响。Baniwa接着分析了他的艺术与环境危机之间的关系,认为他的实践的跨学科性质是通过旁观者意识的变化来干预现实的最佳媒介。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信
小红书