CLAY – A VEHICLE OF MEMORY

V. Basarab
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Abstract

Through my ceramic work and my experience in working with clay in various parts of the world, I look at how clay and ceramics have been forms of communication and are means of transmitting memory. I found in clay’s geologic transformations and in the human interventions it underwent, a metaphor to comment on both fragility and permanence of the human condition, as well as on the different perceptions of time and memory. Giving form out of clay is like writing, composing new meaning from a large database, yet it is empowering when you dig your own clay to know that you are the first human to touch it and are free to make anything you want out of it. My aim for the artwork that I produce is to generate a thought process in regards to how memory is transmitted and oftentimes altered, how accurate information is in general.
粘土——记忆的载体
通过我的陶瓷作品和我在世界各地与粘土打交道的经历,我看到了粘土和陶瓷是如何成为交流的形式和传递记忆的手段的。我在粘土的地质变化和它所经历的人类干预中发现了一种隐喻,来评论人类状况的脆弱性和持久性,以及对时间和记忆的不同看法。从粘土中创造形式就像写作,从一个庞大的数据库中创作新的含义,但当你挖掘自己的粘土时,你知道自己是第一个接触它的人,可以自由地从中做出任何你想要的东西,这是一种赋权。我创作的艺术作品的目的是产生一种思维过程,关于记忆是如何传递和经常改变的,以及一般情况下信息的准确性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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