Поглиблена робота з міфонімами (на основі літературних творів шкільної програми для 10 класу)

Наталія Івахно
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引用次数: 1

Abstract

Not common and not widespread in literary texts, such as anthroponymic or toponymic names, but quit functionally important can be considered mythonyms. Their role is revealed in the study of genre and stylistic features of some works of art of the school curriculum in Ukrainian literature for senior classes and worldviews of individual characters of those texts. The in-depth study of mythological artistic onyms is essential for tenth-grades. On the example of two works – Mykhailo Kotsyubynsky’s novel “Shadows og Forgotten Ancestors” and Lesya Ukrainka’s drama-extravaganza ‘Forest Song” – 10th grades can explore the role of the mythological names as one of the features of the drama genre, neo-romanticism style and ideology of cosmocentrism and paganism. That is why mythonyms need to be studied in depth within the genre, structural-stylistic and ideational-conceptual areas of research of a work of art. Like names of toponymic origin, mythological names combine both traditional etymological meanings and author’s additional meanings, which are valuable only in the context of a particular literary work. However, such names can often be symbolic. For example, Mavka is the heroine of Lesya Ukrainka’s neo-romantic drama-extravaganza “Forest Song”. The article outlines the optimal approach to the study of literary texts of the school curriculum in Ukrainian literature for 10th grade on the basis of genre, stylistic and ideological and conceptual analysis with in-depth study of mythological names. The paper identifies and proposes the basic requirements for the topics and objectives of the lessons devoted to the study of literary texts through involvement in the analysis of mythological names. The algorithm for constructing educational situations has been developed, the content of which corresponds to the proper names of methological characters and the author’s meanings contained in them.
在文学文本中不常见也不广泛,如拟人名或地名,但功能重要的可以被认为是神话名。他们的作用体现在乌克兰文学高中课程中一些艺术作品的体裁和风格特征的研究以及这些文本中个别人物的世界观。深入学习神话艺术名是十年级必不可少的。以科茨丘宾斯基的小说《被遗忘的祖先的阴影》和列西娅·乌克兰卡的戏剧巨作《森林之歌》为例,十年级学生可以探索神话名字作为戏剧类型、新浪漫主义风格和世界中心主义和异教意识形态特征之一的作用。这就是为什么需要在艺术作品的流派、结构-风格和思想-概念研究领域对神话进行深入研究的原因。像地名一样,神话名结合了传统的词源意义和作者的附加意义,只有在特定的文学作品中才有价值。然而,这样的名字往往具有象征意义。例如,Mavka是Lesya Ukrainka新浪漫主义戏剧“森林之歌”的女主角。本文在体裁分析、文体分析、意识形态分析和概念分析的基础上,通过对神话名称的深入研究,概述了乌克兰十年级文学课程中文学文本研究的最佳方法。本文确定并提出了通过对神话名字的分析来研究文学文本的课程的主题和目标的基本要求。提出了构建教育情境的算法,该算法的内容与方法字符的专有名称及其所包含的作者含义相对应。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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