Inclusion, Democracy and the Pedagogised other in Art and Design Higher Education

S. Broadhead
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引用次数: 7

Abstract

Abstract This article draws on Bernstein's model of democratic education to explore the experiences of post-Access students who enter higher education within the subject area of art and design. It considers areas of difficulty in relation to enhancement, inclusion and participation among non-traditional students who perceive themselves as being in the minority on an art and design degree alongside ‘traditional students’ who have come through school/college rather than Access. It argues that post-Access students are constructed as the ‘pedagogised other’ through the signature pedagogies of art and design and the horizontal discourses of the studio. It can also be seen that their presence upsets the mythological solidarities based on age and creativity. The discussion focuses on an understanding of democracy with a stress on the importance of political action by marginalised ‘others’ in order to construct new educational orders that consider their needs. The narratives of post-Access students suggest that they do not always feel included on their course and they also do not have the confidence to call for change or participate in political action.
艺术与设计高等教育中的包容、民主与他人教育
摘要本文借鉴伯恩斯坦的民主教育模式,探讨进入艺术与设计学科领域接受高等教育的后access学生的经历。它考虑了与提高、包容和参与有关的困难领域,这些领域涉及非传统学生,他们认为自己在艺术和设计学位上属于少数,而“传统学生”则是通过学校/大学而不是Access来学习的。它认为,通过艺术和设计的标志性教学法以及工作室的横向话语,后接入学生被构建为“被教育的他者”。也可以看出,他们的存在颠覆了基于年龄和创造力的神话团结。讨论的重点是对民主的理解,强调被边缘化的“他者”采取政治行动的重要性,以便构建考虑他们需求的新教育秩序。后无障碍学生的叙述表明,他们并不总是觉得自己被纳入课程,他们也没有信心呼吁变革或参与政治行动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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